Canines in Cervantes and Velázquez

John Beusterien is Associate Professor of Spanish and Director Comparative Literature Program in the Department of Classical and Modern Languages and Literatures at Texas Tech University, USA.

• Introduction; Chapter 1 The Hidden Dog; Chapter 2 A Cervantine Animal Exemplum; Chapter 3 When the Dog is a Book; Chapter 4 As Death Approaches; Chapter 101 Afterword;

Classified as 'Research Essential' by Baker & Taylor YBP Library Services ’John Beusterien's Canines in Cervantes and Velázquez views the history of early modern Spain through the lens of species difference, providing a dog's-eye view of the period's rich literary, visual, and dramatic achievements. A learned and intriguing study.’ Bruce Boehrer, Florida State University, USA ’John Beusterien’s book demonstrates that the compassion and empathy of Cervantes and Velázquez was not limited to members of their own species. In a world filled with cruelty toward human and nonhuman animals alike, Cervantes and Mateo Alemán could disapprove of Rabelaisian humor in which a madman smashes rocks on a dog’s head. Early modern Spain was not just one prolonged bullfight, and, by applying an animal studies approach, Canines in Cervantes and Velázquez shows us just how human hierarchy and abusive use of other animals might be challenged through humane reflections on dogs. Montaigne was not alone in the early modern world.’ Abel Alves, Ball State University, USA and author of The Animals of Spain 'Canines in Cervantes and Velázquez successfully plots a new line of cultural analysis for early modern Iberian Studies ... this book makes an important contribution to the field and fully merits the reader's attention.' Bulletin of Hispanic Studies