Del 0 - Routledge Library of Media and Cultural Studies

Cahiers du Cinema

Volume III: 1969-1972:.The Politics of Representation

Inbunden, Engelska, 1990

2 909 kr

Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt för medlemmar vid köp för minst 249 kr.

This volume brings together seminal articles from the years 1969-1972, when Cahiers writers were elaborating a major materialist account of the history, theory, and criticism of cinema.

Produktinformation

Utgivningsdatum1990-01-25
Mått156 x 234 x 24 mm
Vikt453 g
FormatInbunden
SpråkEngelska
SerieRoutledge Library of Media and Cultural Studies
Antal sidor362
FörlagTaylor & Francis Ltd
ISBN9780415029872

Tillhör följande kategorier

Film inom Kultur
Referensverk och tvärvetenskap inom Samhälle och politik

Preface, Acknowledgments, Introduction: The Politics of Representation: Cahiers du Cinema 1969-72, 1 Jean Narboni, Sylvie Pierre, Jacques Rivette: 'Montage' (March 1969), 2 Jean-Pierre Oudart: 'Cinema and Suture' (April-May 1969), 3 Jean-Louis Comolli, Jean Narboni: 'Cinema/Ideology/Criticism' (October 1969), 4 Pascal Bonitzer, Jean-Louis Comolli, Serge Daney, Jean Narboni, Jean-Pierre Oudart: 'La Vie est a nous: A militant film' (March 1970), 5 Jean-Pierre Oudart, Jean Narboni, Jean-Louis Comolli: 'Readings of Jancs6: Yesterday and Today' (April 1970), 6 Editorial: 'Russia in the 20s (I)' (May-June 1970), 7 Serge Daney, Jean-Pierre Oudart: 'Work, Reading, Pleasure' Ouly 1970), 8 Jean-Pierre Oudart: 'Word Play, Master Play' (August-September 1970), 9 Editorial: 'Japanese Cinema (1)' (October 1970), 10 Jean Narboni: 'Vicarious Power' (October 1970), 11 Jean-Louis Comolli: 'Film/Politics (2): L'Aveu: 15 Propositions' (October 1970), 12 Collective text: 'Josef von Sternberg's Morocco' (November-December 1970), 13 Collective Editorial Statement (Cahiers du Cinema, Cinethique, Tel Quel): 'Cinema, Literature, Politics' (January-February 1971), 14 Jean-Pierre Oudart: 'The Reality Effect' (March-April 1971), 15 Jean-Pierre Oudart: 'Notes for a Theory of Representation' (May-June and July 1971), 16 Jean-Louis Comolli: 'Technique and Ideology: Camera, Perspective, Depth of Field' (May-June and July 1971), 17 Pascal Bonitzer: ' Reality of Denotation' (May-June 1971), 18 Jacques Aumont, Pascal Bonitzer, Jean Narboni, Jean-Pierre Oudart: 'The New Babylon: the Commune Metaphor' (July and October 1971), 19 Jean-Pierre Oudart: 'A Lacking Discourse' (October 1971), 20 Cahiers du Cinema: 'Cinema, Ideology, Politics (for Poretta- Terme)' (October 1971), 21 Pascal Bonitzer: 'Off-screen Space' (December 1971-January-February 1972), 22 Serge Daney, Jean-Pierre Oudart: 'The Name of the Author (on the place of Death in Venice)' (December 1971-January-February 1972), 23 Pascal Kane: 'Re-reading Hollywood Cinema: Sylvia Scarlett' (May-June 1972), 24 Editorial: 'Politics and Ideological Class Struggle' (December 1971-Januaiy-February 1972), Appendix 1 Guide to Cahiers du Cinema Nos 210-39, March 1969-June 1972, in English translation, Appendix 2 Cahiers du Cinema in the 1950s, the 1960s and the later 1970s, Index of Names and Film Titles