Byronic Heroes in Nineteenth-Century Women’s Writing and Screen Adaptation

Sarah Wootton is Senior Lecturer in the Department of English Studies at Durham University, UK. She has published widely on nineteenth-century literature and the visual arts, with a particular focus on the afterlives of Romantic poets and Victorian women writers. She is the author of Consuming Keats: Nineteenth-Century Representations in Art and Literature (2006).

• AcknowledgementsIntroduction1. Jane Austen's Byronic Heroes I: Northanger Abbey and Sense and Sensibility2. Jane Austen's Byronic Heroes II: Persuasion and Pride and Prejudice3. Elizabeth Gaskell's Byronic Heroes: Wives and Daughters and North and South4. George Eliot's Byronic Heroes I: Early Works and Poetry5. George Eliot's Byronic Heroes II: Later WorksNotesBibliographyIndex

“One of the hallmarks of this wide ranging and erudite book is the literary authority Wootton brings to the endeavor. She makes a glancing mention of Woolf’s Night and Day (1919) … for example, but does so with concision, thereby providing the reader with an overview of themes in nineteenth-century literature. … Wootton shows how women novelists rejected the ‘vulgar Byronic personality’ while adopting his ‘narrative agility and robust ideas,’ as they experimented with genre and form.” (Jonathan Gross, European Romantic Review, Vol. 29 (04), 2018)“Wootton provides both substantive and nuanced analysis of the literary and film/television texts chosen for the book, and the absence of certain texts may besimply a matter of space. … Throughout each section of the book, Wootton is strongly engaged with critics of Romantic and Victorian literature as well as film critics and reviewers who tracked the popularity of the various adaptations. Studies of literary influence can sometimes feel forced, but that is not the case here.” (Cheryl A. Wilson, Tulsa Studies in Women’s Literature, Vol. 37 (1), 2018)“This is an informative monograph which prompts a re-thinking of Byron’s ambivalent legacies. Elegantly written and impeccably researched, Wootton’s study will be valuable to any scholars, students, or general readers interested in both the Romantic and the Victorian age as well as in the Byron phenomenon more broadly, and in twenty-first century media and film studies. … the book takes on a subject that we thought we knew all about and discovers something fresh to say about it.” (Carmen Casaliggi, Byron Journal, Vol. 45 (1), 2017)