“Brian Moeran’s deep, detailed investigations of a sparkling variety of work situations lead him to an understanding of creativity, solidly based on close observation of people at work, that anchors this field, so often mired in vague talk, in the real world of potters, fashion magazines, perfumers, and other workers who are on creativity’s front line.”—Howard S. Becker, author of Art Worlds“This brilliant book is filled with profound insights on every page. Professor Moeran’s book is a window into the creative process; he convincingly shows that creativity is embedded in cultural practices and collaborative relationships. His ethnographic studies, mostly in Japan but also in Denmark, reveal that creativity emerges from collaborative improvisations, unpredictable but always grounded in conventions, norms, and cultures. If you are interested in creativity, innovation, and the role of creative work in today’s economy, you absolutely must read this book.”—R. Keith Sawyer, Morgan Distinguished Professor in Educational Innovations, University of North Carolina at Chapel Hill"...Focused primarily on creative practices in Japan, business anthropologist/artist Moeran here alternates chapters on ethnography with propositions on the nature of creativity. Too many Anglo-European theorists romanticize creativity as indescribable, based only on individual talent. By studying creative worlds in a contemporary Eastern context, the author offers an interesting counterview. ... Readers should start with the case studies and then return to the introductory chapter, 'Overture.' This approach will allow a better understanding of Moeran's theories on how cultural agents, institutions, and materials compete for resources, and of project collaboration for creating economically valuable art. Useful for multidisciplinary collections. Summing Up: Recommended."...--CHOICE Magazine"The Business of Creativity is a fascinating and helpful volume in its own right, on business, advertising, fashion, and ceramic arts. However, its message and methods are relevant far beyond those specific subjects and settings. Anthropologists can and have begun to apply the concept of affordance in many contexts, together with the view of culture as creative practice, as future-directed thought and planning, and the understanding of all of social life as an assemblage of 'motley crews' of people, institutions, 'things,' and environments. There are lessons in this book and in Moeran's career that are already revolutionizing anthropology and will continue to reshape it, for the better, into its own creative disciplinary future."--Jack David Eller, Anthropology Review Database
