Eileen Pollard is Lecturer in English at the University of Chester. Her interview with Hilary Mantel was published by Textual Practice in 2015 and she is co-editor of the forthcoming collection of essays Hilary Mantel: Contemporary Critical Perspectives. Berthold Schoene is Professor of English and Faculty Head of Research and Knowledge Exchange for Arts and Humanities at Manchester Metropolitan University. His books include The Making of Orcadia (1995), Writing Men (2000), Posting the Male (2003), The Edinburgh Companion to Contemporary Scottish Literature (2007), The Cosmopolitan Novel (2009) and The Edinburgh Companion to Irvine Welsh (2010). He has co-edited special journal issues on 'Texting Obama: Politics, Poetics, Popular Culture' for Comparative American Studies (2012) and 'Cosmopolitanism as Critical and Creative Practice' for the Open University's Open Arts Journal (2013).

• Introduction; Part I. Transitions: 1. The ends of postmodernism Peter Boxall; 2. Historical fiction and political regeneration Dougal McNeill; 3. Strategies of survival in experimental poetry Luke Roberts; 4. Dramatic evolutions/bodily violations Nadine Holdsworth; 5. No such thing as society: the novel under neoliberalism Eileen Pollard and Berthold Schoene; Part II. Nation: 6. Black British writing: from gulags to ships Henghameh Saroukhani; 7. Working-class writing and the decline of class consciousness Nick Bentley; 8. Northern radical theatre and community performance Phil O'Brien; 9. 'Pit closure as art': poetry from the North of England James Underwood; 10. The road to Tollund: Northern Ireland's literature of transformation Richard Kirkland; 11. Entangled (k)nots: reconceptualizing the nation in Scottish devolution writing Carla Sassi; Part III. Society: 12. Inter-feminism/s: women writing back to the future Diana Wallace; 13. The rise of ladlit and chicklit Imelda Whelehan; 14. 'A gay story, a history': gay male liberation and queer rumination Allan Johnson; 15. 'Searching for something': the post-secular faiths of British fiction Andrew Tate; 16. Dystopia and euphoria: time-space compression and the city Alexander Beaumont; Part IV. Acceleration: 17. Coded networks: literature and the information technology revolution Anna McFarlane; 18. Nature's history: environmentalism and the British nature novel John Parham; 19. Like any other commodity? Literary prize culture, commercialisation, and the rise of a new reading public Caroline Edwards; 20. Making sense of the world: literature and globalisation Philip Leonard.

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Eileen Pollard is Lecturer in English at the University of Chester. Her interview with Hilary Mantel was published by Textual Practice in 2015 and she is co-editor of the forthcoming collection of essays Hilary Mantel: Contemporary Critical Perspectives. Berthold Schoene is Professor of English and Faculty Head of Research and Knowledge Exchange for Arts and Humanities at Manchester Metropolitan University. His books include The Making of Orcadia (1995), Writing Men (2000), Posting the Male (2003), The Edinburgh Companion to Contemporary Scottish Literature (2007), The Cosmopolitan Novel (2009) and The Edinburgh Companion to Irvine Welsh (2010). He has co-edited special journal issues on 'Texting Obama: Politics, Poetics, Popular Culture' for Comparative American Studies (2012) and 'Cosmopolitanism as Critical and Creative Practice' for the Open University's Open Arts Journal (2013).

• Introduction; Part I. Transitions: 1. The ends of postmodernism Peter Boxall; 2. Historical fiction and political regeneration Dougal McNeill; 3. Strategies of survival in experimental poetry Luke Roberts; 4. Dramatic evolutions/bodily violations Nadine Holdsworth; 5. No such thing as society: the novel under neoliberalism Eileen Pollard and Berthold Schoene; Part II. Nation: 6. Black British writing: from gulags to ships Henghameh Saroukhani; 7. Working-class writing and the decline of class consciousness Nick Bentley; 8. Northern radical theatre and community performance Phil O'Brien; 9. 'Pit closure as art': poetry from the North of England James Underwood; 10. The road to Tollund: Northern Ireland's literature of transformation Richard Kirkland; 11. Entangled (k)nots: reconceptualizing the nation in Scottish devolution writing Carla Sassi; Part III. Society: 12. Inter-feminism/s: women writing back to the future Diana Wallace; 13. The rise of ladlit and chicklit Imelda Whelehan; 14. 'A gay story, a history': gay male liberation and queer rumination Allan Johnson; 15. 'Searching for something': the post-secular faiths of British fiction Andrew Tate; 16. Dystopia and euphoria: time-space compression and the city Alexander Beaumont; Part IV. Acceleration: 17. Coded networks: literature and the information technology revolution Anna McFarlane; 18. Nature's history: environmentalism and the British nature novel John Parham; 19. Like any other commodity? Literary prize culture, commercialisation, and the rise of a new reading public Caroline Edwards; 20. Making sense of the world: literature and globalisation Philip Leonard.

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Eileen Pollard is Lecturer in English at the University of Chester. Her interview with Hilary Mantel was published by Textual Practice in 2015 and she is co-editor of the forthcoming collection of essays Hilary Mantel: Contemporary Critical Perspectives. Berthold Schoene is Professor of English and Faculty Head of Research and Knowledge Exchange for Arts and Humanities at Manchester Metropolitan University. His books include The Making of Orcadia (1995), Writing Men (2000), Posting the Male (2003), The Edinburgh Companion to Contemporary Scottish Literature (2007), The Cosmopolitan Novel (2009) and The Edinburgh Companion to Irvine Welsh (2010). He has co-edited special journal issues on 'Texting Obama: Politics, Poetics, Popular Culture' for Comparative American Studies (2012) and 'Cosmopolitanism as Critical and Creative Practice' for the Open University's Open Arts Journal (2013).

• Introduction; Part I. Transitions: 1. The ends of postmodernism Peter Boxall; 2. Historical fiction and political regeneration Dougal McNeill; 3. Strategies of survival in experimental poetry Luke Roberts; 4. Dramatic evolutions/bodily violations Nadine Holdsworth; 5. No such thing as society: the novel under neoliberalism Eileen Pollard and Berthold Schoene; Part II. Nation: 6. Black British writing: from gulags to ships Henghameh Saroukhani; 7. Working-class writing and the decline of class consciousness Nick Bentley; 8. Northern radical theatre and community performance Phil O'Brien; 9. 'Pit closure as art': poetry from the North of England James Underwood; 10. The road to Tollund: Northern Ireland's literature of transformation Richard Kirkland; 11. Entangled (k)nots: reconceptualizing the nation in Scottish devolution writing Carla Sassi; Part III. Society: 12. Inter-feminism/s: women writing back to the future Diana Wallace; 13. The rise of ladlit and chicklit Imelda Whelehan; 14. 'A gay story, a history': gay male liberation and queer rumination Allan Johnson; 15. 'Searching for something': the post-secular faiths of British fiction Andrew Tate; 16. Dystopia and euphoria: time-space compression and the city Alexander Beaumont; Part IV. Acceleration: 17. Coded networks: literature and the information technology revolution Anna McFarlane; 18. Nature's history: environmentalism and the British nature novel John Parham; 19. Like any other commodity? Literary prize culture, commercialisation, and the rise of a new reading public Caroline Edwards; 20. Making sense of the world: literature and globalisation Philip Leonard.

Select Guide Rating