Rafael Ocasio is Charles A. Dana Professor of Spanish at Agnes Scott College.

• AcknowledgementsNote about Citations of George Howe’s DiaryIntroduction: George Howe: A Testimonial Documentation of a Bristolian-Owned Ingenio in the Province of Matanzas Chapter 1: Bristolian-Owned Ingenios in the province of Matanzas: George Howe’s Sugar Cane Plantation DiaryChapter 2: Memorializing the Province of Matanzas: A Rural View of the WildnessChapter 3: A Plantation Diary: Work Sketches of a Bristolian-Owned Cuban Sugar Cane IngenioChapter 4: The Embodiment of Slavery: Documenting the Work Underpinnings of an Enslaved Crew-Operated Cuban IngenioChapter 5: Cuban Ingenios as an Artistic Inspiration: George Howe as a Writer and Painter of Plantation Work CustomsConclusion: The Narrative of a Bristolian-Owned Cuban Ingenio: Silences and Intentional Omissions Epilogue: Revolutionary Ideology and Afro-Cuban Icons: Representation of Racial Dynamics in Cuba TodayBibliography

The book offers a deep dive into a little-known diary. It adds to the burgeoning literature on the dark and deep connection of slavery that bound Bristol, Rhode Island and Cuba together.

Rafael Ocasio is Charles A. Dana Professor of Spanish at Agnes Scott College.

• AcknowledgementsNote about Citations of George Howe’s DiaryIntroduction: George Howe: A Testimonial Documentation of a Bristolian-Owned Ingenio in the Province of Matanzas Chapter 1: Bristolian-Owned Ingenios in the province of Matanzas: George Howe’s Sugar Cane Plantation DiaryChapter 2: Memorializing the Province of Matanzas: A Rural View of the WildnessChapter 3: A Plantation Diary: Work Sketches of a Bristolian-Owned Cuban Sugar Cane IngenioChapter 4: The Embodiment of Slavery: Documenting the Work Underpinnings of an Enslaved Crew-Operated Cuban IngenioChapter 5: Cuban Ingenios as an Artistic Inspiration: George Howe as a Writer and Painter of Plantation Work CustomsConclusion: The Narrative of a Bristolian-Owned Cuban Ingenio: Silences and Intentional Omissions Epilogue: Revolutionary Ideology and Afro-Cuban Icons: Representation of Racial Dynamics in Cuba TodayBibliography

The book offers a deep dive into a little-known diary. It adds to the burgeoning literature on the dark and deep connection of slavery that bound Bristol, Rhode Island and Cuba together.

Rafael Ocasio is Charles A. Dana Professor of Spanish at Agnes Scott College.

• AcknowledgementsNote about Citations of George Howe’s DiaryIntroduction: George Howe: A Testimonial Documentation of a Bristolian-Owned Ingenio in the Province of Matanzas Chapter 1: Bristolian-Owned Ingenios in the province of Matanzas: George Howe’s Sugar Cane Plantation DiaryChapter 2: Memorializing the Province of Matanzas: A Rural View of the WildnessChapter 3: A Plantation Diary: Work Sketches of a Bristolian-Owned Cuban Sugar Cane IngenioChapter 4: The Embodiment of Slavery: Documenting the Work Underpinnings of an Enslaved Crew-Operated Cuban IngenioChapter 5: Cuban Ingenios as an Artistic Inspiration: George Howe as a Writer and Painter of Plantation Work CustomsConclusion: The Narrative of a Bristolian-Owned Cuban Ingenio: Silences and Intentional Omissions Epilogue: Revolutionary Ideology and Afro-Cuban Icons: Representation of Racial Dynamics in Cuba TodayBibliography

The book offers a deep dive into a little-known diary. It adds to the burgeoning literature on the dark and deep connection of slavery that bound Bristol, Rhode Island and Cuba together.