Book of Imitation and Desire: Reading Milan Kundera with Rene Girard

Trevor Cribben Merrill is Lecturer in French at the California Institute of Technology and sits on the Research Committee of Imitatio: Integrating the Human Sciences. He studied literature at Yale University and the Ecole Normale Supérieure and went on to receive his doctorate in French Studies from UCLA, USA, where he was a Chancellor’s Fellow. A two-time fellow of the Association Recherches Mimétiques in Paris, he has co-edited a book of essays by René Girard and collaborated on Psychopolitics (Michigan State University Press, 2012), a dialogue with psychiatrist Jean-Michel Oughourlian.

• Foreword by Andrew McKennaAuthor’s PrefaceI. “WOMEN LOOK FOR MEN WHO HAVE HAD BEAUTIFUL WOMEN” II. INTO THE LABYRINTH OF VALUES 1. The Transfiguration of the Object 2. Metamorphoses of Kristyna 3. “An Imitation of Feeling” III. FROM IMITATION TO RIVALRY 1. The Shift from Admiration to Envy 2. Deceit, Desire, and the Plight of the Aging Don Juan 3. Rivalry and the Transfiguration of the Object 4. “The Younger Sister Imitated the Elder” 5. Publish or Perish IV. THE MODEL AS OBSTACLE 1. Strategies of Revelation 2. The Art of Polyphonic Comparison 3. A Little Theory of Resentment 4. Litost in the Underground V. JEALOUSY AND ITS METAPHORS 1. The Game Gone Awry 2. The Metaphors of Jealousy 3. “A Test That Gauged Her Susceptibility To Seduction”VI. THE QUADRILLE OF DESIRE 1. Sex as Theater 2. Acute Rivalry and Homosexual Attraction 3. The Geometry of Sadomasochism VII. AT THE HEART OF THE LABYRINTH1. “The Thousand-Headed Dragon”2. “The Cement of their Brotherhood”3. The Two Temptations4. “The Absolute Denial of Shit” 5. First Time As Tragedy, Second Time As FarceVIII. REPUDIATING THE MODEL 1. Eduard’s Smile 2. From Hatred to Compassion 3. Karenin’s Smile 4. The Birth of a Novelist 5. Liberating Exiles IX. TOMAS IN COLONUS, OR THE WISDOM OF THE NOVEL Postscript: A Response to Elif BatumanAppendix: A Brief Overview of Kundera’s Life and WorksNotesBibliographyIndex

The contribution that Trevor Merrill’s book makes is at least threefold: it sheds new light on the work of one of our era’s strongest novelists; it extends and confirms the literary reach of René Girard’s main hypotheses; and it helps us to better understand our own existence. And it does all of this in a style that’s clear, precise, and elegant. What more could be asked of a major work of literary criticism?