Tin Moe (1933-2007), Thitsar Ni (b. 1946), Aung Cheimt (b. 1948), Ma Ei (b. 1948), Maung Chaw Nwe (1949-2002), Maung Pyiyt Min (b. 1953), Khin Aung Aye (b. 1956), Zeyar Lynn (b. 1958), Maung Thein Zaw (b. 1959), Moe Zaw (b. 1964), Moe Way (b. 1969), ko ko thett (b. 1972), Eaindra (b. 1973), Pandora (b. 1974), Maung Yu Py (b. 1981)

Poems like these demand a response from the reader. There is no hiding or denying our call to respond to these poems in translation, which offer the opportunity to further understand ourselves in relation to another. The poems of Bones Will Crow exist in their own right and should be treated with the same deference that we afford poets who are more familiar and less complex. The contradictory and imposing forces that shape Burmese poetry continue to create an evolving poetics that courageously redefines and reasserts itself, both internally and externally, to the wider literate world. Saradha Soobrayen, Poetry Review 2012

Tin Moe (1933-2007), Thitsar Ni (b. 1946), Aung Cheimt (b. 1948), Ma Ei (b. 1948), Maung Chaw Nwe (1949-2002), Maung Pyiyt Min (b. 1953), Khin Aung Aye (b. 1956), Zeyar Lynn (b. 1958), Maung Thein Zaw (b. 1959), Moe Zaw (b. 1964), Moe Way (b. 1969), ko ko thett (b. 1972), Eaindra (b. 1973), Pandora (b. 1974), Maung Yu Py (b. 1981)

Poems like these demand a response from the reader. There is no hiding or denying our call to respond to these poems in translation, which offer the opportunity to further understand ourselves in relation to another. The poems of Bones Will Crow exist in their own right and should be treated with the same deference that we afford poets who are more familiar and less complex. The contradictory and imposing forces that shape Burmese poetry continue to create an evolving poetics that courageously redefines and reasserts itself, both internally and externally, to the wider literate world. Saradha Soobrayen, Poetry Review 2012

Tin Moe (1933-2007), Thitsar Ni (b. 1946), Aung Cheimt (b. 1948), Ma Ei (b. 1948), Maung Chaw Nwe (1949-2002), Maung Pyiyt Min (b. 1953), Khin Aung Aye (b. 1956), Zeyar Lynn (b. 1958), Maung Thein Zaw (b. 1959), Moe Zaw (b. 1964), Moe Way (b. 1969), ko ko thett (b. 1972), Eaindra (b. 1973), Pandora (b. 1974), Maung Yu Py (b. 1981)

Poems like these demand a response from the reader. There is no hiding or denying our call to respond to these poems in translation, which offer the opportunity to further understand ourselves in relation to another. The poems of Bones Will Crow exist in their own right and should be treated with the same deference that we afford poets who are more familiar and less complex. The contradictory and imposing forces that shape Burmese poetry continue to create an evolving poetics that courageously redefines and reasserts itself, both internally and externally, to the wider literate world. Saradha Soobrayen, Poetry Review 2012