Häftad, Engelska, 2025
Del i serien Bloomsbury Handbooks
Bloomsbury Handbook to Ageing in Contemporary Literature and Film
Av Sarah Falcus, Heike Hartung, Raquel Medina
849 kr
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Beskrivning
Produktinformation
- Utgivningsdatum: 2025-07-24
- Mått: 192 x 248 x 34 mm
- Vikt: 920 g
- Format: Häftad
- Språk: Engelska
- Serie: Bloomsbury Handbooks
- Antal sidor: 474
- Förlag: Bloomsbury Publishing PLC
- ISBN: 9781350212213
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Mer information
Sarah Falcus is a a Reader in Contemporary Literature at the University of Huddersfield. She is the co-author (with Katsura Sako) of Contemporary Narratives of Dementia: Ethics, Ageing, Politics and is the Primary Collaborator on the project 'Ageing and Illness in British and Japanese Children's Picturebooks 1950-2000: Historical and Cross-Cultural Perspectives', funded by the Japan Society for the Promotion of Science. She is also the co-director of the Dementia and Cultural Narrative Network. https://pure.hud.ac.uk/en/persons/sarah-falcusHeike Hartung has published widely in interdisciplinary ageing studies. Recent publications include Ageing, Gender and Illness in Anglophone Literature and Embodied Narration. She is a founding member of the European Network in Ageing Studies and co-editor of the Transcript Aging Studies publication series. http://www.heikehartung.de/en/Raquel Medina is Senior Lecturer in Spanish Studies at Aston University, UK. She has published numerous articles and chapters on representations of ageing in film, fiction and non-fiction narrative, and poetry. She is the author of Cinematic Representations of Alzheimer's Disease and the Director of the International Research Network CinemAGEnder, and co-director of Dementia and Cultural Narrative Network. https://research.aston.ac.uk/en/persons/raquel-medina
Recensioner i media
This Handbook is a most timely contribution to aging studies. It distinguishes itself from others not only because it addresses a wide range of both literary (fiction, drama, and poetry) and film genres (movies, media, TV series, etc.) but also in its encompassing an equally large sample of cultural contexts and case studies, ranging from Europe to Hollywood to Latin America to Japan. Moreover, its intersectional focus allows us to see age as a fundamental yet relational category of analysis, which cannot and should not be separated from gender, sexuality, racialization, class, or functional diversity, amongst others. A must-read to anyone interested in aging, literature and film studies in their broadest sense. Highly recommended!
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