Blasphemous Art?

Adriaan van Klinken is Professor of Religion and African Studies at the University of Leeds, UK, and Extraordinary Professor in the Desmond Tutu Centre for Religion and Social Justice at the University of the Western Cape, South Africa.Nella van den Brandt is researcher of Religion, Gender and Race at the Faculty of Theology and Religious Studies, KU Leuven, Belgium.Mariecke van den Berg is Endowed Professor of Feminism and Christianity (Catharina Halkes Chair) at Radboud University in Nijmegen and Associate Professor of Religion and Gender in the Faculty of Religion and Theology at VU University Amsterdam, the Netherlands.

• Part 1 Bodies 1. Do We Need to Talk About My Uterus? Some Thoughts on What Makes for a Blasphemous Menopause Narrative 2. In/Decent Black Theology in South African Poetry: Reimagining Jesus Christ, Sexuality, Race and HIV 3. ‘You Do Not Have To Burn Anymore’: The Witch Of Almen as a Grounds for Constructive Feminist Theology Part 2 Stories 4. Resisting Dehumanization: A Feminist Reading of Iconoclashes in Ukrainian War Art 5. Mendacity as Blasphemy: Storytelling and the Making of Religious/LGBTQ+ Jewish Identities 6. (Losing) Faith, Intimacy and the Gendered Religion‑Race‑Secularity Nexus in Stories by Women of Islamic Backgrounds Part 3 Performances 7. ‘I’m Just a Vessel’: Sex and the Sacred in South African Cape Flats Theatre 8. ‘Your God Made Me This Way’: Religion, Race and Queer Love in the Drama Series Pose 9. ‘The Only Orthodox Jewish Woman in British Stand‑Up Comedy’: Marginality, Relatability and Popular Culture in Rachel Creeger’s Pray It Forward! 10. This Barbie Can Walk on Water! Longing for a Feminist Messiah in the Cinema

'Anne-Marie Korte’s corpus of work has been a wonderful and welcome addition to the academic world: challenging, provoking, and reorienting normative scholarly categories. Chapters in this volume build on her work to show how categories of gender and sexuality can challenge our understanding of religion by narrowing in on the moments of blasphemy and transgression, places where the categories come unhinged and show us the fluid nature of our social lives'.S. Brent Rodriguez-Plate, Hamilton College, USA'This imaginative volume is not only a fitting tribute to Anne-Marie Korte’s contribution to the field but is an exciting collection that tracks the dynamic, fun, and confronting interactions between religion, gender, and sexuality, and creative popular culture. From stand-up comedy, the Barbie movie, menopausal bodies, black HIV queer poetry, LGBTQI+ writing practices, storytelling, and graphic novels, to TV, and performance, the authors challenge understandings of blasphemy and highlight the capacity of art to transform and reimagine constructions of religion, gender, and sexuality'.Dawn Llewellyn, University of Chester, UK'Smashed statues of Asherah, menopause, skits and stand-up, Ukrainian war art (icons on ammunition boxes), witches, the Israeli docuseries The Holy Closet, ex-Muslim identities, Barbie, black and Latinx ballroom, "heretical" Jesuses in queer black south African poetry … and so much more. Moving between the theatre and the hospital, the museum and "the news", these punchy, astute studies perform and analyse the decomposition and recomposition of the sacred and the profane (and the normative and the inexpressible/ineffable, that which cannot be "effed", as Sam Beckett said). The contributors deftly show how, though blasphemy has been in bed (so to speak) with sex for centuries, the positions keep on changing. A vibrant celebration of the work of Anne-Marie Korte and a stand-alone volume in its own right, bursting with boldness and insights on iconoclash and ironic faith'.Yvonne Sherwood, University of Oslo, Norway