Black Pastoral

ARIANA BENSON's poems appear or are forthcoming in Poetry, Poem-a-Day, Ploughshares, Copper Nickel, and elsewhere. Recipient of the 2022 Furious Flower Poetry Prize, Benson serves as a nonfiction editor of Auburn Avenue Literary Journal. She lives in St. Louis, Missouri.

If poetry is a form of prayer, then Black Pastoral is church, pew, pastor, baptismal site, hymn, and a symphonic archive of our historical silences. This collection of poems is a transcendent appraisal of the blood that was extracted from Black bodies. In the tradition of Richard Mayhew, Ariana Benson challenges and forces us to de-romanticize the American landscape. At once tranquil and reflective, the poems in this collection—structurally innovative, formalistically demanding, lyrically fluid—provoke the reader toward a sublime reckoning. The milieus in Benson’s poems: a Middle Passage broom jump, a stacking of 'things' at Elmina’s Door of No Return, the breaths of Eric Garner and George Floyd meeting in a Rothko painting, are rendered beautifully through luscious aubades, ekphrastic poems that excavate ruins, anti-elegies, an exacting still-life, and alternative approaches to established forms. You will never feel alone in Benson’s landscape of organic belly songs. These poems (read pastorals, read lyrics) have a way of entering your bloodstream, re-birthing your soul, and altering your molecules until a tree is no longer a tree, but a retrospective exhibit of strange fruit bearing witness. Black Pastoral reads like a canvas where one must question goodness in the face of evil, use a swim lesson to transport through America’s violent chronology, and bask in the light of love’s ultimate mercy and grace.