Black Music in the Harlem Renaissance

SAMUEL A. FLOYD, JR., is Director of the Center for Black Music Research, Columbia College, Chicago, Illinois. He has written Black Music in the United States, Black Music Biography, and numerous articles published in The Black Perspective in Music, 19th Century Music, Music Journal, and Black Music Research Journal.

• Preface Music in the Harlem Renaissance: An Overview Vindication as a Thematic Principle in the Writings of Alain Locke on the Music of Black Americans Vocal Concert Music in the Harlem Renaissance Harlem Renaissance Ideals in the Music of Robert Nathaniel Dett William Grant Still, Florence Price, and William Dawson: Echoes of the Harlem Renaissance Black Musical Theatre and the Harlem Renaissance Movement The Renaissance Education of Duke Ellington Interactions between Writers and Music during the Harlem Renaissance Interactions between Art and Music during the Harlem Renaissance The Negro Renaissance and England Bibliography of the Music: The Concert Music of the Harlem Renaissance Composers, 1919-1935 Index