It is tempting to regard the 2020 murder of George Floyd by law enforcement as a contemporary variant of the meaning of Blackness in society, a meaning traceable to slavery, colonialism, and then postcolonialism. In such a case, Blackness translates into a cynical and pessimistic outlook on life for Black people everywhere. Further, some see this pessimism manifested in so-called Black-on-Black violence. It is this very cynical outlook that Etoke challenges here. By analyzing Black people's creative productions—e.g., spirituals during slavery, the freedom songs of the 1960s, contemporary hip-hop and rap music, and Black theatrical performances—Etoke argues, contra the Afro-Pessimists, that Black people have constantly been affirming their humanity and subjectivity, hence optimism, even in the face of white supremacist domination and oppression. Etoke calls attention to oppressive structures specifically in France and the US but generally in the Global North, where the notion of Black citizenship seems like an oxymoron. Even so, Black people have not just been “singing the Blues” and waiting for death, but instead have been articulating forms of resistance and engaging in self-affirmation that bespeaks optimism and existential freedom. Recommended. Advanced undergraduates through faculty.