Black Country

Häftad, Engelska, 2014

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WINNER OF THE FORWARD PRIZE BEST FIRST COLLECTION 2014*PBS Recommendation 2014*‘When I became a bird, Lord, nothing could not stop me…’In Black Country, Liz Berry takes flight: to Wrens Nest, Gosty Hill, Tipton-on-Cut; to the places of home. The poems move from the magic of childhood – bostin fittle at Nanny’s, summers before school – into deeper, darker territory: sensual love, enchanted weddings, and the promise of new life. In Berry’s hands, the ordinary is transformed: her characters shift shapes, her eye is unusual, her ear attuned to the sounds of the Black Country, with ‘vowels ferrous as nails, consonants / you could lick the coal from.’ Ablaze with energy and full of the rich dialect of the West Midlands, this is an incandescent debut from a poet of dazzling talent and verve.

Produktinformation

Utgivningsdatum2014-08-07
Mått136 x 216 x 8 mm
Vikt94 g
FormatHäftad
SpråkEngelska
Antal sidor80
FörlagVintage Publishing
ISBN9780701188573
UtmärkelserWinner of Forward Prizes for Poetry: Felix Dennis Prize for Best First Collection 2014 (UK)

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Poesi inom Skonlitteratur

Liz Berry is an award-winning poet and author of the critically acclaimed collections Black Country (Chatto, 2014); The Republic of Motherhood (Chatto, 2018); The Dereliction (Hercules Editions, 2021) a collaboration with artist Tom Hicks; and most recently The Home Child (Chatto, 2023), a novel in verse. Liz’s work, described as “a sooty soaring hymn to her native West Midlands” (Guardian), celebrates the landscape, history and dialect of the region. Liz has received the Somerset Maugham Award, Geoffrey Faber Memorial Prize and Forward Prizes. Her poem ‘Homing’, a love poem for the language of the Black Country, is part of the GCSE English syllabus. Liz is a patron of Writing West Midlands and lives in Birmingham with her family.

Black Country is an extraordinary debut...rooted in place. When you close the book, you can still see the Black Country in your mind's eye, as if all the poems in it were coming together to form a continuous landscape, a single yet varied view. These poems need to be studied slowly yet there is, as one reads on, a sense of gathering speed, a flightiness, a readiness to soar... She writes, in the best sense, on a wing and a prayer. What marks out this writing is its sparing but assured use of Midlands dialect. This is writing of warmth, maturity and intermittent eroticism. Liz Berry knows her own flight-path, that is for sure.