Birth of the Financial Thriller

Making a Killing in the 1970s

Häftad, Engelska, 2026

AvMikkel Krause Frantzen

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Discover the untold story of the financial thriller, a genre pioneered by Canadian banker-turned-author Paul Erdman from a Swiss prison cell. Starting with the publication of The Billion Dollar Sure Thing in 1973, this book explores the genre’s evolution as a popular and even vulgar genre of financialisation, characterised by volatile plots centred on currency speculation where the central mystery is money, not murder. By contextualising the rise of financial thrillers within the dramatic events of the 1970s, such as the abolition of the Bretton Woods system and the oil crises, this book illustrates how a genre found the world of finance during a particular historical moment, but also how the world of finance found its genre. This compelling narrative connects the past to our present financial landscape, making it essential for anyone interested in the intersection of economic, literary and cultural history.

Produktinformation

Utgivningsdatum2026-09-30
Mått156 x 234 x undefined mm
FormatHäftad
SpråkEngelska
Antal sidor232
FörlagEdinburgh University Press
ISBN9781399516419

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Litteraturvetenskap inom Skönlitteratur

Mikkel Krause Frantzen is Associate Professor at the Department of Arts and Cultural Studies, University of Copenhagen. He is the author of several books, including Going Nowhere, Slow (2019), Klodens Fald (2021) and Slutspil (2024), and a literary critic at the Danish newspaper Politiken. He has been part of the research project “Finance Fiction - Financialization and Culture in the Early 21st Century”, co-edited the book Finance Aesthetics – A Critical Glossary (Goldsmiths Press, 2024) and has written extensively on financialisation and financial fictions of the 1970s from Paul Erdman to William Gaddis.

AcknowledgmentsIntroduction: 1973 – A Monument to Radical Instants1. A Genre of Crisis, a Crisis of Genre2. Holy Trinity: Money, Gold and Oil (the Brave New World after Bretton Woods)Intermezzo I: Funny-Money Land 3. A Question of CharacterIntermezzo II: The Silences of the Financial Thriller4. The Bull and the Bear, or, The Thrilling Drama of FinanceIntermezzo III: The Art of Finance5. The Author as Mansplainer: Pedagogical and Moral LessonsConclusion: This Is Not an EndingBibliographyNotesIndex