Gauvin Alexander Bailey is an associate Professor in the Department of Visual and Performing Arts at Clark University.

• AcknowledgmentsIntroduction: A Time without Art?The Jesuits and the Visual Art, and Art and 'Counter-Reformation'The Debate over 'Mannerism,' and Art in Rome before the JesuitsThe Directors of the Jesuit Painting ProgramsThe Novitiate of S. Andrea al QuirinaleThe Foundation and Construction of the NovitiateThe Chronology and Authorship of the Novitiate DecorationsLouis Richeôme's Guide to the Novitiate PaintingsThe Novitiate Chapel of S. Andrea al QuirinaleThe RefectoryThe Lavatory and GalleriesThe Recreation RoomThe DormitoryThe Novitiate InfirmaryRooms One to FiveRooms Six to TenRooms Eleven to Thirteen, and the Infirmary RefectoryThe Novitiate Infirmary Cycle in Context: Hospital Decoration in Renaissance ItalyThe Jesuit Collegiate Foundations of the Collegio Romano, the Seminario Romano, and the German-Hungarian CollegeJesuit Teaching and a Brief History of the Roman Collegiate InstitutionsThe Paintings of the Collegio Romano and the Church of SS. AnnunziataThe Paintings of the Seminario Romano The Paintings of the German-Hungarian College and the Palaeochristian Revival MovementThe Church of S. SebaThe Church of S. ApollinareThe Church of S. Stefano Rotondo: Paintings by Niccolò Circignani and Matteo a SienaThe Subjects of Circignani's Paintings at S. StefanoThe Church of S. Stefano Rotondo: Paintings by Antonio TempestaThe Church of S. Stefano Rotondo: The BalustradeThe Collegiate Church of S. Tommaso di Canterbury and the Novitiate Church of S. VitaleThe Venerable English College and S. Tommaso di CanterburyThe Novitiate Church of S. VitaleThe Church of the Gesù in Rome: DocumentsOverview of the Scholarship of the GesùThe Foundation and Construction of the GesùThe General Scheme of the Gesù PaintingsThe Artists of the Gesù DecorationsThe Nave Chapels: Left SideThe Nave Chapels: Right SideThe Apse and Crossing AreaThe West Wall, Sacristy, Confraternity Chapels, and Miscellaneous Minor CommissionsThe Church of the Gesù in Rome: Description and InterpretationThe Nave Chapels: Left SideThe Nave Chapels: Right SideThe Apse and Crossing AreaThe Sacristy and the Tomb of IgnatiusThe Legacy of the First Gesù DecorationsConclusion: A New Sacred Art for a New EraNotesBibliographyIndex

Gauvin Alexander Bailey is an associate Professor in the Department of Visual and Performing Arts at Clark University.

• AcknowledgmentsIntroduction: A Time without Art?The Jesuits and the Visual Art, and Art and 'Counter-Reformation'The Debate over 'Mannerism,' and Art in Rome before the JesuitsThe Directors of the Jesuit Painting ProgramsThe Novitiate of S. Andrea al QuirinaleThe Foundation and Construction of the NovitiateThe Chronology and Authorship of the Novitiate DecorationsLouis Richeôme's Guide to the Novitiate PaintingsThe Novitiate Chapel of S. Andrea al QuirinaleThe RefectoryThe Lavatory and GalleriesThe Recreation RoomThe DormitoryThe Novitiate InfirmaryRooms One to FiveRooms Six to TenRooms Eleven to Thirteen, and the Infirmary RefectoryThe Novitiate Infirmary Cycle in Context: Hospital Decoration in Renaissance ItalyThe Jesuit Collegiate Foundations of the Collegio Romano, the Seminario Romano, and the German-Hungarian CollegeJesuit Teaching and a Brief History of the Roman Collegiate InstitutionsThe Paintings of the Collegio Romano and the Church of SS. AnnunziataThe Paintings of the Seminario Romano The Paintings of the German-Hungarian College and the Palaeochristian Revival MovementThe Church of S. SebaThe Church of S. ApollinareThe Church of S. Stefano Rotondo: Paintings by Niccolò Circignani and Matteo a SienaThe Subjects of Circignani's Paintings at S. StefanoThe Church of S. Stefano Rotondo: Paintings by Antonio TempestaThe Church of S. Stefano Rotondo: The BalustradeThe Collegiate Church of S. Tommaso di Canterbury and the Novitiate Church of S. VitaleThe Venerable English College and S. Tommaso di CanterburyThe Novitiate Church of S. VitaleThe Church of the Gesù in Rome: DocumentsOverview of the Scholarship of the GesùThe Foundation and Construction of the GesùThe General Scheme of the Gesù PaintingsThe Artists of the Gesù DecorationsThe Nave Chapels: Left SideThe Nave Chapels: Right SideThe Apse and Crossing AreaThe West Wall, Sacristy, Confraternity Chapels, and Miscellaneous Minor CommissionsThe Church of the Gesù in Rome: Description and InterpretationThe Nave Chapels: Left SideThe Nave Chapels: Right SideThe Apse and Crossing AreaThe Sacristy and the Tomb of IgnatiusThe Legacy of the First Gesù DecorationsConclusion: A New Sacred Art for a New EraNotesBibliographyIndex

Gauvin Alexander Bailey is an associate Professor in the Department of Visual and Performing Arts at Clark University.

• AcknowledgmentsIntroduction: A Time without Art?The Jesuits and the Visual Art, and Art and 'Counter-Reformation'The Debate over 'Mannerism,' and Art in Rome before the JesuitsThe Directors of the Jesuit Painting ProgramsThe Novitiate of S. Andrea al QuirinaleThe Foundation and Construction of the NovitiateThe Chronology and Authorship of the Novitiate DecorationsLouis Richeôme's Guide to the Novitiate PaintingsThe Novitiate Chapel of S. Andrea al QuirinaleThe RefectoryThe Lavatory and GalleriesThe Recreation RoomThe DormitoryThe Novitiate InfirmaryRooms One to FiveRooms Six to TenRooms Eleven to Thirteen, and the Infirmary RefectoryThe Novitiate Infirmary Cycle in Context: Hospital Decoration in Renaissance ItalyThe Jesuit Collegiate Foundations of the Collegio Romano, the Seminario Romano, and the German-Hungarian CollegeJesuit Teaching and a Brief History of the Roman Collegiate InstitutionsThe Paintings of the Collegio Romano and the Church of SS. AnnunziataThe Paintings of the Seminario Romano The Paintings of the German-Hungarian College and the Palaeochristian Revival MovementThe Church of S. SebaThe Church of S. ApollinareThe Church of S. Stefano Rotondo: Paintings by Niccolò Circignani and Matteo a SienaThe Subjects of Circignani's Paintings at S. StefanoThe Church of S. Stefano Rotondo: Paintings by Antonio TempestaThe Church of S. Stefano Rotondo: The BalustradeThe Collegiate Church of S. Tommaso di Canterbury and the Novitiate Church of S. VitaleThe Venerable English College and S. Tommaso di CanterburyThe Novitiate Church of S. VitaleThe Church of the Gesù in Rome: DocumentsOverview of the Scholarship of the GesùThe Foundation and Construction of the GesùThe General Scheme of the Gesù PaintingsThe Artists of the Gesù DecorationsThe Nave Chapels: Left SideThe Nave Chapels: Right SideThe Apse and Crossing AreaThe West Wall, Sacristy, Confraternity Chapels, and Miscellaneous Minor CommissionsThe Church of the Gesù in Rome: Description and InterpretationThe Nave Chapels: Left SideThe Nave Chapels: Right SideThe Apse and Crossing AreaThe Sacristy and the Tomb of IgnatiusThe Legacy of the First Gesù DecorationsConclusion: A New Sacred Art for a New EraNotesBibliographyIndex