Bertolt Brecht in Context

Stephen Brockmann is Professor of German at Carnegie Mellon University and has served as president of the International Brecht Society since 2014. From 2002-2007 he was the managing editor of the Brecht Yearbook, and in 2011-2012 he was the president of the German Studies Association.

• Introduction Stephen Brockmann; Part II. Brecht's World: 1. Brecht's Augsburg years Jürgen Hillesheim; 2. Models for epic theater from the Munich years: Wedekind and Valentin Meg Mumford; 3. Brecht in the Weimar republic Ronald Speirs; 4. Brecht's emergence as a young poet Dorothee Ostmeier; 5. Brecht and music: the fly in the amber Joachim Lucchesi; 6. Brecht and political theater Laura Bradley; 7. Brecht and Germany Stephen Brockmann; 8. '[She] made suggestions. We took them': Brecht's women collaborators Paula Hanssen; 9. Brecht's interviews Noah Willumsen; 10. Brecht and exile Johannes Evelein; 11. Brecht and the German Democratic Republic Mark Clark; 12. The Berliner Ensemble David Barnett; Part II. Brecht's Work: 13. The work of the theater Marc Silberman; 14. Brecht and Marxism Anthony Squiers; 15. Brecht and photography Tom Kuhn; 16. Brecht and film: medium and masses Theodore F. Rippey; 17. Brecht and fiction Ernest Schonfield; 18. Gestus in context Sabine Hake; 19. Brecht's ethics Markus Wessendorf; 20. Brecht and dialectics Joseph Dial; 21. Brecht and east Asia Antony Tatlow; 22. Brecht's work with musical composers Vera Stegmann; Part III. The World's Brecht: 23. Brecht and feminism Helen Fehervary; 24. Brecht in southern Africa Loren Kruger; 25. Brecht in the creation, production, and analysis of opera today Joy Calico; 26. Brecht and his biographers Jost Hermand; 27. Brecht editions Erdmut Wizisla; 28. Brecht and German studies Hunter Bivens; 29. Beginning where Brecht left off: Heiner Müller and Brecht's legacy Janine Ludwig; 30. Bertolt Brecht in Brazil Jürgen Pelzer; 31. World spirit versus spirit of the age: Brecht's impact and influence on East German literature and culture Kerstin Hensel; 32. Brecht in fiction Robert Cohen; 33. Brecht and contemporary experimental theater Nikolaus Müller-Schöll; 34. Brecht and US actor training Wendy Arons; 35. Brecht and transcultural theater Günther Heeg; 36. Thinking Brecht in(to) the university Norman Roessler; 37. 'Shrunk in translation' or: the (Ir)resistible rise of the old traduttore/traditore tradition…. Michael Morley.

'It should be mentioned that the generous editor Stephen Brockmann translated a number of German-language contributions himself. The book has been edited in an exemplary way, including a full bibliography, short biographies of the authors, and an index of people, works, key places, and even concepts. The index alone reveals that concepts such as Gestus and Lehrstuck (learning play) have been taken up and handled with remarkable diversity. And the Threepenny Opera is vital in many respects.' Michael Friedrichs, Dreigroschenheft Review