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The Beijing Film Academy (BFA) is one of the most revered film institutions in the world. Since 1984, the BFA’s Department of Film Studies has been publishing the Journal of the Beijing Film Academy, the only journal of film theory that integrates film education in higher learning with film theory studies. Now, coinciding with dramatically increased interest in Chinese cinema, comes the Beijing Film Academy Yearbook, showcasing the best academic debates, discussions and research from the academy in 2015 – all available for the first time in English. Aimed at narrowing the cultural gap for cross-cultural research, the book contributes not only to scholarly work on Chinese cinema, but also to film and media studies more generally.
The Journal of the Beijing Film Academy, founded in 1984, is edited by the Beijing Film Academy’s Department of Film Studies and is highly respected for showcasing the foremost research in Chinese cinema and film education.
AcknowledgementForewordWU Guangping (Editor-in-Chief of the Journal of Beijing Film Academy)Chapter 1: An Analysis of Educational Characteristics and Developments of Beijing Film Academy: A Reflection of Film Education on the 120th Anniversary of FilmHOU GuangmingChapter 2: Annual Report on the Development of China’s Film Industry 2013LIU Jing, WEI JinruChapter 3: On Cinema Operation and Management in the Context of the Cyber-EraZHANG Huijun, LU Yang, ZHU TaoChapter 4: The Present State and the Problems of Chinese CinemaLIU FanChapter 5: How Will Art Film Make a Real Breakthrough: An Analysis of Several Trends in China’s Art Film PromotionPENG KeChapter 6: An Emic Study of the Impact of Jun’ichiroÝ TanizakiZHANG ChongChapter 7: The Lens of an Intertextual Era: Reinterpretation of the Film A Twig of Plum BlossomsQI Xian’guChapter 8: Surpass Stereotypes: Study on Li Wei’s Seventeen-Year Villain PerformanceDING NingChapter 9: Cut-throat Rivalry, Who Will Be the Winner?SHAO BocongNotes on Contributors Editorial Board Information