Luke Roberts was born in 1987 and grew up in rural Cumbria. He is the author of Bad Omens (2026), Home Radio (2021), Glacial Decoys (2021), and other works of poetry and prose. His criticism has been published widely, and includes, Living in History: Poetry in Britain, 1945-1979 (2024). He is a regular contributor to New Left Review/Sidecar, and his writing has appeared in TLS, PN Review, and elsewhere. As an editor, he has been involved in archival publications by Mark Hyatt, Iliassa Sequin, and Cecilia Vicuña. With Amy Tobin he runs the small press Distance No Object. He lives and works in London.

“Some books I can read in spurts, but these poems demand our unfaltering attention to see the world anew! You realize, of course, I mean, I could not stop reading! ‘Soft / earth you bring towards your mouth to make / a song with, numb at the limit of lossless surprise.’ I am just going to say it: I have been reading poetry for over half a century, and Luke Roberts is one of my absolute favorite poets!”—CAConrad“Sensing the end as the living dead do, Luke Roberts gives us testimony of what the Empire has done to itself, and to all of us ‘held together in contempt,’ as we become ‘the shape we’re avoiding / in low-level continuous / grief.’ This is poignant, powerful poetry for today.”—Cecilia Vicuña“In this sharp, unflinching collection, Beginning to End generously offers us a ‘loving rewrite of the ending’ with profound emotional and intellectual force. Luke Roberts is a brilliant poet and writes at the edge, where language fractures under the pressure of grief, history, and survival—yet continues, urgently, to sing. These poems are at once turbulent and incandescent, dodging easy meaning while landing moments of startling clarity and depth. Less about getting somewhere than staying in motion, the book loops, falters, and restarts. It knows we’re all living in the unfinished—always beginning, always ending—and makes something electric out of that. It’s extraordinary. I love it.”—Peter Gizzi“Beginning to End is an acoustic book, written as if alone and awake at night, purled together through memory and meditation. There is a quietly pained quality to its thinking, as if the very condition of lyric language were torn between its dual offerings of solace and clarity. And yet, such wending of reflection and observation through loss attests to the intricacy of a simple language, the poet’s feeling for nature, and that admirable ability to ever close the gap between the life we need and the life we want.”—Jennifer SoongPraise for Luke Roberts“Luke Roberts’ Glacial Decoys (Boise, ID: Free Poetry) is a subterranean tour de force in balancing the discursive and the immersive.”—The White Review“Themselves fragmentary, often sharp and jagged, the essays in “Glacial Decoys” are collected with care, tenderness, and even humor.”—Kylan Rice, Colorado Review

Luke Roberts was born in 1987 and grew up in rural Cumbria. He is the author of Bad Omens (2026), Home Radio (2021), Glacial Decoys (2021), and other works of poetry and prose. His criticism has been published widely, and includes, Living in History: Poetry in Britain, 1945-1979 (2024). He is a regular contributor to New Left Review/Sidecar, and his writing has appeared in TLS, PN Review, and elsewhere. As an editor, he has been involved in archival publications by Mark Hyatt, Iliassa Sequin, and Cecilia Vicuña. With Amy Tobin he runs the small press Distance No Object. He lives and works in London.

“Some books I can read in spurts, but these poems demand our unfaltering attention to see the world anew! You realize, of course, I mean, I could not stop reading! ‘Soft / earth you bring towards your mouth to make / a song with, numb at the limit of lossless surprise.’ I am just going to say it: I have been reading poetry for over half a century, and Luke Roberts is one of my absolute favorite poets!”—CAConrad“Sensing the end as the living dead do, Luke Roberts gives us testimony of what the Empire has done to itself, and to all of us ‘held together in contempt,’ as we become ‘the shape we’re avoiding / in low-level continuous / grief.’ This is poignant, powerful poetry for today.”—Cecilia Vicuña“In this sharp, unflinching collection, Beginning to End generously offers us a ‘loving rewrite of the ending’ with profound emotional and intellectual force. Luke Roberts is a brilliant poet and writes at the edge, where language fractures under the pressure of grief, history, and survival—yet continues, urgently, to sing. These poems are at once turbulent and incandescent, dodging easy meaning while landing moments of startling clarity and depth. Less about getting somewhere than staying in motion, the book loops, falters, and restarts. It knows we’re all living in the unfinished—always beginning, always ending—and makes something electric out of that. It’s extraordinary. I love it.”—Peter Gizzi“Beginning to End is an acoustic book, written as if alone and awake at night, purled together through memory and meditation. There is a quietly pained quality to its thinking, as if the very condition of lyric language were torn between its dual offerings of solace and clarity. And yet, such wending of reflection and observation through loss attests to the intricacy of a simple language, the poet’s feeling for nature, and that admirable ability to ever close the gap between the life we need and the life we want.”—Jennifer SoongPraise for Luke Roberts“Luke Roberts’ Glacial Decoys (Boise, ID: Free Poetry) is a subterranean tour de force in balancing the discursive and the immersive.”—The White Review“Themselves fragmentary, often sharp and jagged, the essays in “Glacial Decoys” are collected with care, tenderness, and even humor.”—Kylan Rice, Colorado Review

Luke Roberts was born in 1987 and grew up in rural Cumbria. He is the author of Bad Omens (2026), Home Radio (2021), Glacial Decoys (2021), and other works of poetry and prose. His criticism has been published widely, and includes, Living in History: Poetry in Britain, 1945-1979 (2024). He is a regular contributor to New Left Review/Sidecar, and his writing has appeared in TLS, PN Review, and elsewhere. As an editor, he has been involved in archival publications by Mark Hyatt, Iliassa Sequin, and Cecilia Vicuña. With Amy Tobin he runs the small press Distance No Object. He lives and works in London.

“Some books I can read in spurts, but these poems demand our unfaltering attention to see the world anew! You realize, of course, I mean, I could not stop reading! ‘Soft / earth you bring towards your mouth to make / a song with, numb at the limit of lossless surprise.’ I am just going to say it: I have been reading poetry for over half a century, and Luke Roberts is one of my absolute favorite poets!”—CAConrad“Sensing the end as the living dead do, Luke Roberts gives us testimony of what the Empire has done to itself, and to all of us ‘held together in contempt,’ as we become ‘the shape we’re avoiding / in low-level continuous / grief.’ This is poignant, powerful poetry for today.”—Cecilia Vicuña“In this sharp, unflinching collection, Beginning to End generously offers us a ‘loving rewrite of the ending’ with profound emotional and intellectual force. Luke Roberts is a brilliant poet and writes at the edge, where language fractures under the pressure of grief, history, and survival—yet continues, urgently, to sing. These poems are at once turbulent and incandescent, dodging easy meaning while landing moments of startling clarity and depth. Less about getting somewhere than staying in motion, the book loops, falters, and restarts. It knows we’re all living in the unfinished—always beginning, always ending—and makes something electric out of that. It’s extraordinary. I love it.”—Peter Gizzi“Beginning to End is an acoustic book, written as if alone and awake at night, purled together through memory and meditation. There is a quietly pained quality to its thinking, as if the very condition of lyric language were torn between its dual offerings of solace and clarity. And yet, such wending of reflection and observation through loss attests to the intricacy of a simple language, the poet’s feeling for nature, and that admirable ability to ever close the gap between the life we need and the life we want.”—Jennifer SoongPraise for Luke Roberts“Luke Roberts’ Glacial Decoys (Boise, ID: Free Poetry) is a subterranean tour de force in balancing the discursive and the immersive.”—The White Review“Themselves fragmentary, often sharp and jagged, the essays in “Glacial Decoys” are collected with care, tenderness, and even humor.”—Kylan Rice, Colorado Review