Matthew Looper is a professor of art and art history at California State University, Chico. His previous books include To Be Like Gods: Dance in Ancient Maya Civilization, winner of the 2010 Association for Latin American Art Book Award; Gifts of the Moon: Huipil Designs of the Ancient Maya; Lightning Warrior: Maya Art and Kingship at Quirigua; and, most recently, Wearing Culture: Dress and Regalia in Early Mesoamerica and Central America, co-edited with Heather Orr.

• AcknowledgmentsIntroductionChapter 1. Deer Life: The Maya Ethnobiology of DeerChapter 2. Bones to Picks: The Classic Maya Use and Depiction of Durable Deer RemainsChapter 3. Big Bucks: Deer and Social StatusChapter 4. Wearing the Horns: Deer, Sexuality, and Fertility in “Dying God” ScenesChapter 5. Locking Horns: Deer Hunting, Warfare, the Ballgame, and Male Rites of PassageChapter 6. Hart’s Devotion: The Siip in Classic and Postclassic Maya SocietyChapter 7. A Sinking Hart: The Solar Symbolism of Deer in Maya ArtChapter 8. Deer Departed: Cervid Spirits of Death and DiseaseEpilogue. Out of the Woods: Deer and BordersNotesBibliographyIndex

"The author makes important contributions here, especially to ongoing efforts to recover poorly understood aspects of ancient Maya mythology as revealed through scenes on painted pottery. Profusely illustrated, well written, and amply documented, this book can also serve as a rewarding entrÉe into broader subjects of ancient and modern Maya culture from archaeological, art historical, and ethnographic perspectives." (CHOICE) "[The Beast Between] provides an important addition to the overlapping fields of art history, anthropology, archaeology, and Maya studies...This book provides the definitive starting point for an important dialogue regarding the meaning of the deer in Maya iconography and semiology...Even as it highlights future avenues of research, Looper’s work presents the first thorough and wide-ranging look at the deer in the Maya world from the ancient to modern periods. As such, this volume provides important insights into deer use among the Maya and will frame and influence all subsequent considerations of this often understudied and underappreciated creature for years to come." (caa.reviews) "Much can be learned from this richly varied book, and it certainly contains numerous starting points for further investigation." (Anthropos) Looper’s detailed and eloquent volume reveals the complexity of the deer image in the Maya world, which could be used and read in multiple ways to construct meaning. It might also be of interest to those working in other regions and time periods where wild animals appear to have had a particularly special place, such as later prehistoric Europe. (Antiquity)

Matthew Looper is a professor of art and art history at California State University, Chico. His previous books include To Be Like Gods: Dance in Ancient Maya Civilization, winner of the 2010 Association for Latin American Art Book Award; Gifts of the Moon: Huipil Designs of the Ancient Maya; Lightning Warrior: Maya Art and Kingship at Quirigua; and, most recently, Wearing Culture: Dress and Regalia in Early Mesoamerica and Central America, co-edited with Heather Orr.

• AcknowledgmentsIntroductionChapter 1. Deer Life: The Maya Ethnobiology of DeerChapter 2. Bones to Picks: The Classic Maya Use and Depiction of Durable Deer RemainsChapter 3. Big Bucks: Deer and Social StatusChapter 4. Wearing the Horns: Deer, Sexuality, and Fertility in “Dying God” ScenesChapter 5. Locking Horns: Deer Hunting, Warfare, the Ballgame, and Male Rites of PassageChapter 6. Hart’s Devotion: The Siip in Classic and Postclassic Maya SocietyChapter 7. A Sinking Hart: The Solar Symbolism of Deer in Maya ArtChapter 8. Deer Departed: Cervid Spirits of Death and DiseaseEpilogue. Out of the Woods: Deer and BordersNotesBibliographyIndex

"The author makes important contributions here, especially to ongoing efforts to recover poorly understood aspects of ancient Maya mythology as revealed through scenes on painted pottery. Profusely illustrated, well written, and amply documented, this book can also serve as a rewarding entrÉe into broader subjects of ancient and modern Maya culture from archaeological, art historical, and ethnographic perspectives." (CHOICE) "[The Beast Between] provides an important addition to the overlapping fields of art history, anthropology, archaeology, and Maya studies...This book provides the definitive starting point for an important dialogue regarding the meaning of the deer in Maya iconography and semiology...Even as it highlights future avenues of research, Looper’s work presents the first thorough and wide-ranging look at the deer in the Maya world from the ancient to modern periods. As such, this volume provides important insights into deer use among the Maya and will frame and influence all subsequent considerations of this often understudied and underappreciated creature for years to come." (caa.reviews) "Much can be learned from this richly varied book, and it certainly contains numerous starting points for further investigation." (Anthropos) Looper’s detailed and eloquent volume reveals the complexity of the deer image in the Maya world, which could be used and read in multiple ways to construct meaning. It might also be of interest to those working in other regions and time periods where wild animals appear to have had a particularly special place, such as later prehistoric Europe. (Antiquity)

Matthew Looper is a professor of art and art history at California State University, Chico. His previous books include To Be Like Gods: Dance in Ancient Maya Civilization, winner of the 2010 Association for Latin American Art Book Award; Gifts of the Moon: Huipil Designs of the Ancient Maya; Lightning Warrior: Maya Art and Kingship at Quirigua; and, most recently, Wearing Culture: Dress and Regalia in Early Mesoamerica and Central America, co-edited with Heather Orr.

• AcknowledgmentsIntroductionChapter 1. Deer Life: The Maya Ethnobiology of DeerChapter 2. Bones to Picks: The Classic Maya Use and Depiction of Durable Deer RemainsChapter 3. Big Bucks: Deer and Social StatusChapter 4. Wearing the Horns: Deer, Sexuality, and Fertility in “Dying God” ScenesChapter 5. Locking Horns: Deer Hunting, Warfare, the Ballgame, and Male Rites of PassageChapter 6. Hart’s Devotion: The Siip in Classic and Postclassic Maya SocietyChapter 7. A Sinking Hart: The Solar Symbolism of Deer in Maya ArtChapter 8. Deer Departed: Cervid Spirits of Death and DiseaseEpilogue. Out of the Woods: Deer and BordersNotesBibliographyIndex

"The author makes important contributions here, especially to ongoing efforts to recover poorly understood aspects of ancient Maya mythology as revealed through scenes on painted pottery. Profusely illustrated, well written, and amply documented, this book can also serve as a rewarding entrÉe into broader subjects of ancient and modern Maya culture from archaeological, art historical, and ethnographic perspectives." (CHOICE) "[The Beast Between] provides an important addition to the overlapping fields of art history, anthropology, archaeology, and Maya studies...This book provides the definitive starting point for an important dialogue regarding the meaning of the deer in Maya iconography and semiology...Even as it highlights future avenues of research, Looper’s work presents the first thorough and wide-ranging look at the deer in the Maya world from the ancient to modern periods. As such, this volume provides important insights into deer use among the Maya and will frame and influence all subsequent considerations of this often understudied and underappreciated creature for years to come." (caa.reviews) "Much can be learned from this richly varied book, and it certainly contains numerous starting points for further investigation." (Anthropos) Looper’s detailed and eloquent volume reveals the complexity of the deer image in the Maya world, which could be used and read in multiple ways to construct meaning. It might also be of interest to those working in other regions and time periods where wild animals appear to have had a particularly special place, such as later prehistoric Europe. (Antiquity)