Bearable Slant of Light

Lynnell Edwards is a poet, writer, teacher, and author of six collections of poetry, most recently The Bearable Slant of Light (Red Hen Press, 2023) and This Great Green Valley (Broadstone Books, 2020). She serves as associate programs director for the Sena Jeter Naslund-Karen Mann Graduate School of Writing at Spalding University, where she is faculty in poetry and also book reviews editor for Good River Review. She lives in Louisville, Kentucky.

"The Bearable Slant of Light by Lynnell Edwards confronts the totality of mental illness and its effect on the person suffering, (her son), and those around them. This is not a candy coated let's blame someone or somebody else for the illness. This collection of poems is blunt realism concerning the treatments for mental illness, [its] impact on the family, [and] the dire straits and painful situations all involved find themselves in. Edwards pulls up the shades and lets the light cast upon this issue, an issue many find uncomfortable." —North of OxfordFeatured in the Shelf Unbound list of 2024 Indie Summer Reads“Lynnell Edwards’s The Bearable Slant of Light is a complex, compassionate, harrowing, and lyrical exploration of mental illness. These poems have many voices buzzing inside them, sometimes roaring cicada-loud: the words of doctors and nurses, parents, patients, and support groups; the language of manuals, assessments, intake forms, and medical charts. Both timely and timeless, The Bearable Slant of Light is going to mean a great deal to a great many people. What an achievement.”—Maggie Smith, author of Goldenrod“What if you were to write a book of poems expert in their formal invention and so varied in tone that the anger and helplessness and desperation of the poems were also shot through with a tough-minded, often darkly humorous intelligence sifting through possibility after possibility of solace and finding, after all that sifting, nothing but a pile of dust? No consolations, no moments of redemption, nothing but the hard and strange and always original perception of ‘it happened this way but never the way I expected.’ Well, this is the kind of book that Lynnell Edwards has written—a book whose occasion is the mental illness of her son, but whose subject is radical estrangement/self-estrangement. Her fierce response to the myth of therapy/wellness/amelioration demonstrates a poet of superb gifts. Prose poems, lyrics, dramatic monologues, meditative flights giving way to beautifully precise descriptive writing—no form of poetic inquiry is beyond her imagination’s tenacious, tender, and skeptical engagement. On every page, the intelligence of the writing is matched by true integrity of feeling.”—Tom Sleigh, author of The King’s Touch