Gale Owen-Crocker is Professor of Anglo-Saxon Culture at the University of Manchester, UK.

• Contents: Preface, Shirley Ann Brown; Introduction; Part I Textile: Behind the Bayeux Tapestry; The Bayeux 'tapestry': invisible seams and visible boundaries; Fur, feathers, skin, fibre, wood: representational techniques in the Bayeux Tapestry. Part II Sources: Reading the Bayeux Tapestry through Canterbury eyes; Stylistic variation and Roman influence in the Bayeux Tapestry. Part III Narrative Devices: The embroidered word: text in the Bayeux Tapestry. Telling a tale: narrative techniques in the Bayeux Tapestry and the Old English epic Beowulf; Brothers, rivals and the geometry of the Bayeux Tapestry. Part IV Borders: Squawk talk: commentary by birds in the Bayeux Tapestry?; The Bayeux tapestry: the voice from the border. Part V Dress: The Bayeux 'tapestry': culottes, tunics and garters and the making of the hanging; Dress and authority in the Bayeux Tapestry. Part VI Detail: Embroidered wood: animal-headed posts in the Bayeux 'Tapestry'; The interpretation of gesture in the Bayeux Tapestry; Hawks and horse-trappings: the insignia of rank; Index.

'Scholarly interest in the Bayeux Tapestry has heightened to a remarkable degree in recent years with an increased outpouring of books and articles on the subject. Gale Owen-Crocker has contributed to this perhaps more than anyone else and her publications have made her an outstanding authority on the subject... Scholars interested in further research on the Bayeux Tapestry are fortunate to have these articles now brought together into a single volume.' Francia-Recensio

Gale Owen-Crocker is Professor of Anglo-Saxon Culture at the University of Manchester, UK.

• Contents: Preface, Shirley Ann Brown; Introduction; Part I Textile: Behind the Bayeux Tapestry; The Bayeux 'tapestry': invisible seams and visible boundaries; Fur, feathers, skin, fibre, wood: representational techniques in the Bayeux Tapestry. Part II Sources: Reading the Bayeux Tapestry through Canterbury eyes; Stylistic variation and Roman influence in the Bayeux Tapestry. Part III Narrative Devices: The embroidered word: text in the Bayeux Tapestry. Telling a tale: narrative techniques in the Bayeux Tapestry and the Old English epic Beowulf; Brothers, rivals and the geometry of the Bayeux Tapestry. Part IV Borders: Squawk talk: commentary by birds in the Bayeux Tapestry?; The Bayeux tapestry: the voice from the border. Part V Dress: The Bayeux 'tapestry': culottes, tunics and garters and the making of the hanging; Dress and authority in the Bayeux Tapestry. Part VI Detail: Embroidered wood: animal-headed posts in the Bayeux 'Tapestry'; The interpretation of gesture in the Bayeux Tapestry; Hawks and horse-trappings: the insignia of rank; Index.

'Scholarly interest in the Bayeux Tapestry has heightened to a remarkable degree in recent years with an increased outpouring of books and articles on the subject. Gale Owen-Crocker has contributed to this perhaps more than anyone else and her publications have made her an outstanding authority on the subject... Scholars interested in further research on the Bayeux Tapestry are fortunate to have these articles now brought together into a single volume.' Francia-Recensio

Gale Owen-Crocker is Professor of Anglo-Saxon Culture at the University of Manchester, UK.

• Contents: Preface, Shirley Ann Brown; Introduction; Part I Textile: Behind the Bayeux Tapestry; The Bayeux 'tapestry': invisible seams and visible boundaries; Fur, feathers, skin, fibre, wood: representational techniques in the Bayeux Tapestry. Part II Sources: Reading the Bayeux Tapestry through Canterbury eyes; Stylistic variation and Roman influence in the Bayeux Tapestry. Part III Narrative Devices: The embroidered word: text in the Bayeux Tapestry. Telling a tale: narrative techniques in the Bayeux Tapestry and the Old English epic Beowulf; Brothers, rivals and the geometry of the Bayeux Tapestry. Part IV Borders: Squawk talk: commentary by birds in the Bayeux Tapestry?; The Bayeux tapestry: the voice from the border. Part V Dress: The Bayeux 'tapestry': culottes, tunics and garters and the making of the hanging; Dress and authority in the Bayeux Tapestry. Part VI Detail: Embroidered wood: animal-headed posts in the Bayeux 'Tapestry'; The interpretation of gesture in the Bayeux Tapestry; Hawks and horse-trappings: the insignia of rank; Index.

'Scholarly interest in the Bayeux Tapestry has heightened to a remarkable degree in recent years with an increased outpouring of books and articles on the subject. Gale Owen-Crocker has contributed to this perhaps more than anyone else and her publications have made her an outstanding authority on the subject... Scholars interested in further research on the Bayeux Tapestry are fortunate to have these articles now brought together into a single volume.' Francia-Recensio