Jane Stevenson was born in 1959 and mostly brought up in London. She studied at the University of Cambridge, and subsequently taught at the Universities of Sheffield and Warwick before moving to Aberdeen, where she was Regius Professor of Humanity. Jane Stevenson is now Senior Research Fellow at Campion Hall at the University of Oxford. Her works include studies of women's writing in Latin, early modern women poets, a biography of the painter Edward Burra, and six novels.

• I: SOCIETY; II: THE CITY; III: ROOMS; IV: UNCANONICAL ARTS

Baroque Between the Wars ... is a witty and elegant account of an alternative style in the arts ... this wide-ranging and hugely entertaining book perfectly combines aesthetic and social history.

Jane Stevenson was born in 1959 and mostly brought up in London. She studied at the University of Cambridge, and subsequently taught at the Universities of Sheffield and Warwick before moving to Aberdeen, where she was Regius Professor of Humanity. Jane Stevenson is now Senior Research Fellow at Campion Hall at the University of Oxford. Her works include studies of women's writing in Latin, early modern women poets, a biography of the painter Edward Burra, and six novels.

• I: SOCIETY; II: THE CITY; III: ROOMS; IV: UNCANONICAL ARTS

Baroque Between the Wars ... is a witty and elegant account of an alternative style in the arts ... this wide-ranging and hugely entertaining book perfectly combines aesthetic and social history.

Jane Stevenson was born in 1959 and mostly brought up in London. She studied at the University of Cambridge, and subsequently taught at the Universities of Sheffield and Warwick before moving to Aberdeen, where she was Regius Professor of Humanity. Jane Stevenson is now Senior Research Fellow at Campion Hall at the University of Oxford. Her works include studies of women's writing in Latin, early modern women poets, a biography of the painter Edward Burra, and six novels.

• I: SOCIETY; II: THE CITY; III: ROOMS; IV: UNCANONICAL ARTS

Baroque Between the Wars ... is a witty and elegant account of an alternative style in the arts ... this wide-ranging and hugely entertaining book perfectly combines aesthetic and social history.