Robert Gillett is Professor Emeritus of German and Comparative Cultural Studies at Queen Mary University of London.Godela Weiss-Sussex is Professor of Modern German Literature at the Institute of Languages, Cultures & Societies, University of London and Fellow of King's College, Cambridge.

• Contents: ‘Nicht ganz rund im leeren Kühlschrank laufen’; translation of Chantal Akerman, ‘Marcher à côté de ses lacets dans un frigidaire vide’ – ‘Das kann und darf nicht wahr sein’ [That can’t and mustn’t be true]: Barbara Honigmann’s Stage Adaptation of Das singende springende Löweneckerchen – Signed out of the GDR: The Jewish Perspective on the Former German State in Barbara Honigmann’s Writing – Originating in Roman von einem Kinde – ‘Banal Words Made Out of Nothing’: Exploring the Sophisticated Simplicity of Barbara Honigmann’s Narrative Style – Women’s Liberation in Honigmann’s Soharas Reise – Performances in Language: The Dramaturgy of Voice in Alles, alles Liebe! and Provinzbriefe – Between Distance and Belonging: Space, Time and Multilingualism in Das überirdische Licht – Pictures That Hold Us Captive: A Rumour of Transcendence in Barbara Honigmann’s Bilder von A – Pictures in B.: Unpacking Postmemory in the Work of Barbara Honigmann – ‘Damals, dann und danach’: The Place of Intergenerational Communication in Honigmann and Others – Interview with Barbara Honigmann.

Robert Gillett is Professor Emeritus of German and Comparative Cultural Studies at Queen Mary University of London.Godela Weiss-Sussex is Professor of Modern German Literature at the Institute of Languages, Cultures & Societies, University of London and Fellow of King's College, Cambridge.

• Contents: ‘Nicht ganz rund im leeren Kühlschrank laufen’; translation of Chantal Akerman, ‘Marcher à côté de ses lacets dans un frigidaire vide’ – ‘Das kann und darf nicht wahr sein’ [That can’t and mustn’t be true]: Barbara Honigmann’s Stage Adaptation of Das singende springende Löweneckerchen – Signed out of the GDR: The Jewish Perspective on the Former German State in Barbara Honigmann’s Writing – Originating in Roman von einem Kinde – ‘Banal Words Made Out of Nothing’: Exploring the Sophisticated Simplicity of Barbara Honigmann’s Narrative Style – Women’s Liberation in Honigmann’s Soharas Reise – Performances in Language: The Dramaturgy of Voice in Alles, alles Liebe! and Provinzbriefe – Between Distance and Belonging: Space, Time and Multilingualism in Das überirdische Licht – Pictures That Hold Us Captive: A Rumour of Transcendence in Barbara Honigmann’s Bilder von A – Pictures in B.: Unpacking Postmemory in the Work of Barbara Honigmann – ‘Damals, dann und danach’: The Place of Intergenerational Communication in Honigmann and Others – Interview with Barbara Honigmann.

Robert Gillett is Professor Emeritus of German and Comparative Cultural Studies at Queen Mary University of London.Godela Weiss-Sussex is Professor of Modern German Literature at the Institute of Languages, Cultures & Societies, University of London and Fellow of King's College, Cambridge.

• Contents: ‘Nicht ganz rund im leeren Kühlschrank laufen’; translation of Chantal Akerman, ‘Marcher à côté de ses lacets dans un frigidaire vide’ – ‘Das kann und darf nicht wahr sein’ [That can’t and mustn’t be true]: Barbara Honigmann’s Stage Adaptation of Das singende springende Löweneckerchen – Signed out of the GDR: The Jewish Perspective on the Former German State in Barbara Honigmann’s Writing – Originating in Roman von einem Kinde – ‘Banal Words Made Out of Nothing’: Exploring the Sophisticated Simplicity of Barbara Honigmann’s Narrative Style – Women’s Liberation in Honigmann’s Soharas Reise – Performances in Language: The Dramaturgy of Voice in Alles, alles Liebe! and Provinzbriefe – Between Distance and Belonging: Space, Time and Multilingualism in Das überirdische Licht – Pictures That Hold Us Captive: A Rumour of Transcendence in Barbara Honigmann’s Bilder von A – Pictures in B.: Unpacking Postmemory in the Work of Barbara Honigmann – ‘Damals, dann und danach’: The Place of Intergenerational Communication in Honigmann and Others – Interview with Barbara Honigmann.