Band People

Franz Nicolay is a writer, musician, and faculty member in music and written arts at Bard College. In addition to records under his own name, he has been a member of World/Inferno Friendship Society and the Hold Steady. He is the author of The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar and the novel Someone Should Pay for Your Pain.

• Introduction 1. Training and Early Goals 2. “Plays Well with Others”: The Social Lives of Bands 3. The Work of Band People 4. The Family Business: Musicians with Children 5. The Artist and The Artisan: Money and Credit 6. Going Bad 7. Peers and Ambitions Acknowledgments Notes Bibliography List of Interviews Index

[Nicolay's] original research...makes for fun reading...and goes deep on a neglected population of musicians...A lively...peek at the artistry at the edge of the stage. (Kirkus) Band People might be one of the least bacchanalian books ever published about the rock-and-roll life style, but also one of the most honest. It’s a collection of stories about how musicians who have made contributions to songs beloved by millions...simply get by...You come away wishing that they could all succeed, at least on their own terms...Reading Band People, I was struck by the amount of work required simply to stay collegial with one another-the division of labor, the sheathing of ego, the grace. (New Yorker) From cult heroes like guitarist Nels Cline and bassist Mike Watt to band stalwarts like Fugazi bassist Joe Lally and Babes in Toyland drummer Lori Barbero to studio first-calls like drummer Josh Freese and bassist Melissa Auf Der Mar, Band People shows the nuts and bolts of what they do and how they do it. These players out of the spotlight have memorable things to say about every aspect of their trade. 'Who are these band people - the character actors of popular music?' Nicolay asks and then answers definitively. (Rolling Stone's Best Music Books of 2024) A perceptive portrait…Taken as a whole, these profiles succeed in complicating the ‘lone genius’ narrative of artistic creation and raising provocative questions about how society values the production of music. It’s a captivating look at what it means to occupy the complicated space ‘between a career and a calling.’ (Publishers Weekly) Beautiful [and]…reverent, [this book has] so much love for [musicians], while at the same time being so practical…There’s so many great insights…If you’ve got a music-loving person in your life, it’s a good gift. (Jenna Bush Hager's "Open Book with Jenna" Podcast) Riveting…The book’s research and testimonials reinforce one another to great effect. (Foreword Reviews) In [Nicolay's] book, the clichÉs of rock ‘n’ roll have refreshingly taken a back seat to the struggles of talented freelance professionals in a competitive business...The choice to keep the focus on a smaller segment of the musicians allows his story to delve deeper into a particular subculture of musicians as opposed to getting lost in the wide range of books Band People could be. (Rock and Roll Globe) [Band People is] a candid look at the lives of musicians who don’t spend as much time in the spotlight-all conveyed with a virtuoso’s touch. (Inside Hook) [Band People] reads like a thoughtful fusion of business textbooks, oral history, and heartfelt documentary, but without the glossy schmaltz or soft-focus lens...I thoroughly enjoyed the book...[which] serves as the craft-centric inverse of well-known mythologies like Our Band Could Be Your Life. (Bearded Gentlemen Music) By illustrating other people's successes in creative relationships, [Band People] allowed me to better understand and articulate my own similar successes. (Boing Boing) Band People combines techniques to analyze making music as a career and as a job. It’s a little reportorial, a little theoretical, and a little memoiristic. (Racket)