By considering the films of Rohmer and Rivette as an extension of their writings (essays, film reviews, scriptwriting, novels and interviews), this volume analyses the changing and sometimes opposed ways in which they applied Balzacian principles and themes to their cinematic practice.
Dr Zahra Tavassoli Zea is an independent researcher. She specialises in the nineteenth-century literary and artistic legacies in post-war French cinema.
1. Introduction: Balzac and the Nouvelle Vague.- 2. Rohmer: Reader and Imitator of Balzac.- 3. Poetry and Reality of the Historical Image.- 4. Balzac and Rivette: Continuity and Deflection.- 5. Modern Mythographer.- 6. Conclusion: Balzac’s Multifaceted Legacy.