Elza Adamowicz is Professor of French Literature and Visual Culture at Queen Mary University of LondonSimona Storchi is Lecturer in Italian at the University of Leicester

• Introduction: Elza Adamowicz and Simona Storchi1. Engaging the crowd: the Futurist manifesto as avant-garde advertisement – Matthew D. McLendon2. Heroes/heroines of Futurist culture: oltreuomo/oltredonna – Jennifer Griffiths3. 'Out of touch': F. T. Marinetti’s Il tattilismo and the Futurist critique of separation – Pierpaolo Antonello4. La bomba-romanzo esplosivo, or Dada’s burning heart – Dafydd Jones5. Futurist canons and the development of avant-garde historiography (Futurism – Expressionism – Dada) Maria Elena Versari6. 'An infinity of living forms, representative of the absolute'?: reading Futurism with Pierre Albert-Birot as witness, creative collaborator, dissenter – Debra Kelly7. The dispute over simultaneity: Boccioni – Delaunay, interpretational error or Bergsonian practice? Delphine Bière8. Fernand Léger’s La Noce: the bride stripped bare? Elza Adamowicz, 9. Nocturnal itineraries: occultism and the metamorphic self in Florentine Futurism – Paola Sica10. 'A hysterical hullo-bulloo about motor cars': the Vorticist critique of Futurism, 1914–19 Jonathan Black11. Futurist performance, 1910–16 – Günter Berghaus12. Le Roi Bombance: the original Futurist cookbook? – Selena Daly13. The cult of the 'expressive' in Italian Futurist poetry: new challenges to reading – John J. White14. Visual approaches to Futurist aeropoetry – Willard Bohn15. The Untamables: language and politics in Gramsci and Marinetti – Sascha Bru16. The dark side of Futurism: Marinetti and war – Marja Härmänmaa17. Rethinking interdisciplinarity: Futurist cinema as metamedium – Carolina Fernández Castrillo18. A very beautiful day after tomorrow: Luca Buvoli and the legacy of Futurism – Elisa Sai Index

Elza Adamowicz is Professor of French Literature and Visual Culture at Queen Mary University of LondonSimona Storchi is Lecturer in Italian at the University of Leicester

• Introduction: Elza Adamowicz and Simona Storchi1. Engaging the crowd: the Futurist manifesto as avant-garde advertisement – Matthew D. McLendon2. Heroes/heroines of Futurist culture: oltreuomo/oltredonna – Jennifer Griffiths3. 'Out of touch': F. T. Marinetti’s Il tattilismo and the Futurist critique of separation – Pierpaolo Antonello4. La bomba-romanzo esplosivo, or Dada’s burning heart – Dafydd Jones5. Futurist canons and the development of avant-garde historiography (Futurism – Expressionism – Dada) Maria Elena Versari6. 'An infinity of living forms, representative of the absolute'?: reading Futurism with Pierre Albert-Birot as witness, creative collaborator, dissenter – Debra Kelly7. The dispute over simultaneity: Boccioni – Delaunay, interpretational error or Bergsonian practice? Delphine Bière8. Fernand Léger’s La Noce: the bride stripped bare? Elza Adamowicz, 9. Nocturnal itineraries: occultism and the metamorphic self in Florentine Futurism – Paola Sica10. 'A hysterical hullo-bulloo about motor cars': the Vorticist critique of Futurism, 1914–19 Jonathan Black11. Futurist performance, 1910–16 – Günter Berghaus12. Le Roi Bombance: the original Futurist cookbook? – Selena Daly13. The cult of the 'expressive' in Italian Futurist poetry: new challenges to reading – John J. White14. Visual approaches to Futurist aeropoetry – Willard Bohn15. The Untamables: language and politics in Gramsci and Marinetti – Sascha Bru16. The dark side of Futurism: Marinetti and war – Marja Härmänmaa17. Rethinking interdisciplinarity: Futurist cinema as metamedium – Carolina Fernández Castrillo18. A very beautiful day after tomorrow: Luca Buvoli and the legacy of Futurism – Elisa Sai Index

Elza Adamowicz is Professor of French Literature and Visual Culture at Queen Mary University of LondonSimona Storchi is Lecturer in Italian at the University of Leicester

• Introduction: Elza Adamowicz and Simona Storchi1. Engaging the crowd: the Futurist manifesto as avant-garde advertisement – Matthew D. McLendon2. Heroes/heroines of Futurist culture: oltreuomo/oltredonna – Jennifer Griffiths3. 'Out of touch': F. T. Marinetti’s Il tattilismo and the Futurist critique of separation – Pierpaolo Antonello4. La bomba-romanzo esplosivo, or Dada’s burning heart – Dafydd Jones5. Futurist canons and the development of avant-garde historiography (Futurism – Expressionism – Dada) Maria Elena Versari6. 'An infinity of living forms, representative of the absolute'?: reading Futurism with Pierre Albert-Birot as witness, creative collaborator, dissenter – Debra Kelly7. The dispute over simultaneity: Boccioni – Delaunay, interpretational error or Bergsonian practice? Delphine Bière8. Fernand Léger’s La Noce: the bride stripped bare? Elza Adamowicz, 9. Nocturnal itineraries: occultism and the metamorphic self in Florentine Futurism – Paola Sica10. 'A hysterical hullo-bulloo about motor cars': the Vorticist critique of Futurism, 1914–19 Jonathan Black11. Futurist performance, 1910–16 – Günter Berghaus12. Le Roi Bombance: the original Futurist cookbook? – Selena Daly13. The cult of the 'expressive' in Italian Futurist poetry: new challenges to reading – John J. White14. Visual approaches to Futurist aeropoetry – Willard Bohn15. The Untamables: language and politics in Gramsci and Marinetti – Sascha Bru16. The dark side of Futurism: Marinetti and war – Marja Härmänmaa17. Rethinking interdisciplinarity: Futurist cinema as metamedium – Carolina Fernández Castrillo18. A very beautiful day after tomorrow: Luca Buvoli and the legacy of Futurism – Elisa Sai Index