Bach's Feet

The Organ Pedals in European Culture

Inbunden, Engelska, 2012

AvDavid Yearsley,New York) Yearsley, David (Cornell University,David Gaynor Yearsley

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The organist seated at the king of instruments with thousands of pipes rising all around him, his hands busy at the manuals and his feet patrolling the pedalboard, is a symbol of musical self-sufficiency yielding musical possibilities beyond that of any other mode of solo performance. In this book, David Yearsley presents an interpretation of the significance of the oldest and richest of European instruments, by investigating the German origins of the uniquely independent use of the feet in organ playing. Delving into a range of musical, literary and visual sources, Bach's Feet demonstrates the cultural importance of this physically demanding mode of music-making, from the blind German organists of the fifteenth century, through the central contribution of Bach's music and legacy, to the newly-pedaling organists of the British Empire and the sinister visions of Nazi propagandists.

Produktinformation

Utgivningsdatum2012-01-19
Mått173 x 246 x 23 mm
Vikt700 g
FormatInbunden
SpråkEngelska
SerieMusical Performance and Reception
Antal sidor314
FörlagCambridge University Press
ISBN9780521199018

Tillhör följande kategorier

Musikinstrument inom Kultur
Klassisk musik, konstmusik och orkestermusik inom Kultur
Tonsättare och låtskrivare inom Kultur
Musikböcker inom Kultur
Sociologi inom Samhälle och politik

David Yearsley is the author of Bach and the Meanings of Counterpoint (Cambridge, 2002) as well as numerous essays on European musical culture in the seventeenth and eighteenth centuries; his scholarly work has appeared in the Journal of the American Musicological Society, Music and Letters, Early Music and Eighteenth-Century Music. Active as a performer on organ and other keyboard instruments, his recordings are available on the Loft and Musica Omnia labels. Yearsley has been an Alexander von Humboldt Fellow at the Humboldt-Universität zu Berlin and a Wenner–Gren Foundation Fellow at Göteborgs Universitet, Sweden. A long-time member of the pioneering synthesizer trio Mother Mallard's Portable Masterpiece Company, he is Professor of Music at Cornell University, New York.