Annaleese Jochems was born in 1994 and grew up in Northland. She won the 2016 Adam Prize from the International Institute of Modern Letters and the 2018 Hubert Church Best First Book Award for Fiction for Baby, which is her first book.

‘Cynthia, the simpering, scheming, covetous emotional sinkhole of New Zealander Annaleese Jochems’s assured debut novel, Baby, is alive and squirming; a memorable addition to the growing coteries of unapologetic antiheroines (dis)gracing the pages of contemporary fiction … There are echoes here of Megan Abbott, Emma Cline, Zoë Heller and Miranda July: writers drawn to the intricacies and ferocious possibilities of female friendship. There’s a dollop, too, of Patricia Highsmith’s Tom Ripley; a dash of Lord of the Flies. What Jochems adds is a cloying grotesqueness. Baby is a novel of close-quarters living: of masticating mouths and human stink; of piss and vomit, sunburn and bruises, pimples and dandruff; of new fat expanding under the skin. A novel of bodies.’

Annaleese Jochems was born in 1994 and grew up in Northland. She won the 2016 Adam Prize from the International Institute of Modern Letters and the 2018 Hubert Church Best First Book Award for Fiction for Baby, which is her first book.

‘Cynthia, the simpering, scheming, covetous emotional sinkhole of New Zealander Annaleese Jochems’s assured debut novel, Baby, is alive and squirming; a memorable addition to the growing coteries of unapologetic antiheroines (dis)gracing the pages of contemporary fiction … There are echoes here of Megan Abbott, Emma Cline, Zoë Heller and Miranda July: writers drawn to the intricacies and ferocious possibilities of female friendship. There’s a dollop, too, of Patricia Highsmith’s Tom Ripley; a dash of Lord of the Flies. What Jochems adds is a cloying grotesqueness. Baby is a novel of close-quarters living: of masticating mouths and human stink; of piss and vomit, sunburn and bruises, pimples and dandruff; of new fat expanding under the skin. A novel of bodies.’

Annaleese Jochems was born in 1994 and grew up in Northland. She won the 2016 Adam Prize from the International Institute of Modern Letters and the 2018 Hubert Church Best First Book Award for Fiction for Baby, which is her first book.

‘Cynthia, the simpering, scheming, covetous emotional sinkhole of New Zealander Annaleese Jochems’s assured debut novel, Baby, is alive and squirming; a memorable addition to the growing coteries of unapologetic antiheroines (dis)gracing the pages of contemporary fiction … There are echoes here of Megan Abbott, Emma Cline, Zoë Heller and Miranda July: writers drawn to the intricacies and ferocious possibilities of female friendship. There’s a dollop, too, of Patricia Highsmith’s Tom Ripley; a dash of Lord of the Flies. What Jochems adds is a cloying grotesqueness. Baby is a novel of close-quarters living: of masticating mouths and human stink; of piss and vomit, sunburn and bruises, pimples and dandruff; of new fat expanding under the skin. A novel of bodies.’