Liam Jarvis is a Senior Lecturer in Theatre at the University of Essex, UK.Karen Savage is Head of the School of Fine & Performing Arts at the University of Lincoln, UK.

• List of IllustrationsNotes on ContributorsIntroduction: Postdigitality: "Isn’t it all 'Intermedial'?" Liam Jarvis, University of Essex, UK, and Karen Savage, University of Lincoln, UKChapter 1: Avatars, Apes, and the 'Test' of Performance Capture, Ralf Remshardt , University of Florida, USAChapter 2: Performativity 3.0: Hacking Postdigital Subjectivities, William W. Lewis, Purdue University, USAChapter 3: Randy Rainbow’s Musical and Social Media Activism: (Digital) Bodyguards and Politicising/Weaponising Audiences, Karen Savage, University of Lincoln, UKChapter 4: Deepfake-ification: A Postdigital Aesthetics of Wrongness in Deepfakes and Theatrical Shallowfakes Liam Jarvis, University of Essex, UKChapter 5: The Glitch, The Diva, and Coming Back Out: Aging and Postdigital Identity, Asher Warren, University of Tasmania, AustraliaChapter 6: Voicing Identity: Theatre Sound and Precarious Subjectivities, Lynne Kendrick, Royal Central School of Speech and Drama, University of London, UK and Yaron Shylydkrot, University of Sheffield, UKChapter 7: Postdigital Place-Mixing in the Wild City Jo Scott, University of Salford, UKIndex

A useful update for performance and media studies scholars interested in performance and technology, the collection documents new work by groups long-associated with the genre … as well as work by practitioners who may be new to scholars well-acquainted with the genre

Liam Jarvis is a Senior Lecturer in Theatre at the University of Essex, UK.Karen Savage is Head of the School of Fine & Performing Arts at the University of Lincoln, UK.

• List of IllustrationsNotes on ContributorsIntroduction: Postdigitality: "Isn’t it all 'Intermedial'?" Liam Jarvis, University of Essex, UK, and Karen Savage, University of Lincoln, UKChapter 1: Avatars, Apes, and the 'Test' of Performance Capture, Ralf Remshardt , University of Florida, USAChapter 2: Performativity 3.0: Hacking Postdigital Subjectivities, William W. Lewis, Purdue University, USAChapter 3: Randy Rainbow’s Musical and Social Media Activism: (Digital) Bodyguards and Politicising/Weaponising Audiences, Karen Savage, University of Lincoln, UKChapter 4: Deepfake-ification: A Postdigital Aesthetics of Wrongness in Deepfakes and Theatrical Shallowfakes Liam Jarvis, University of Essex, UKChapter 5: The Glitch, The Diva, and Coming Back Out: Aging and Postdigital Identity, Asher Warren, University of Tasmania, AustraliaChapter 6: Voicing Identity: Theatre Sound and Precarious Subjectivities, Lynne Kendrick, Royal Central School of Speech and Drama, University of London, UK and Yaron Shylydkrot, University of Sheffield, UKChapter 7: Postdigital Place-Mixing in the Wild City Jo Scott, University of Salford, UKIndex

A useful update for performance and media studies scholars interested in performance and technology, the collection documents new work by groups long-associated with the genre … as well as work by practitioners who may be new to scholars well-acquainted with the genre

Liam Jarvis is a Senior Lecturer in Theatre at the University of Essex, UK.Karen Savage is Head of the School of Fine & Performing Arts at the University of Lincoln, UK.

• List of IllustrationsNotes on ContributorsIntroduction: Postdigitality: "Isn’t it all 'Intermedial'?" Liam Jarvis, University of Essex, UK, and Karen Savage, University of Lincoln, UKChapter 1: Avatars, Apes, and the 'Test' of Performance Capture, Ralf Remshardt , University of Florida, USAChapter 2: Performativity 3.0: Hacking Postdigital Subjectivities, William W. Lewis, Purdue University, USAChapter 3: Randy Rainbow’s Musical and Social Media Activism: (Digital) Bodyguards and Politicising/Weaponising Audiences, Karen Savage, University of Lincoln, UKChapter 4: Deepfake-ification: A Postdigital Aesthetics of Wrongness in Deepfakes and Theatrical Shallowfakes Liam Jarvis, University of Essex, UKChapter 5: The Glitch, The Diva, and Coming Back Out: Aging and Postdigital Identity, Asher Warren, University of Tasmania, AustraliaChapter 6: Voicing Identity: Theatre Sound and Precarious Subjectivities, Lynne Kendrick, Royal Central School of Speech and Drama, University of London, UK and Yaron Shylydkrot, University of Sheffield, UKChapter 7: Postdigital Place-Mixing in the Wild City Jo Scott, University of Salford, UKIndex

A useful update for performance and media studies scholars interested in performance and technology, the collection documents new work by groups long-associated with the genre … as well as work by practitioners who may be new to scholars well-acquainted with the genre