Rossella Ferrari is Professor of Chinese Studies at the University of Vienna, Austria.Ashley Thorpe is Senior Lecturer in Theatre and Director of the Centre for Asian Theatre & Dance at Royal Holloway, University of London, UK.

• 1. Introduction: Mapping the Terrain: Hong Kong, Singapore, and the City as Method 2. Culture of Exchange and Cultural Exchange 3. From 1989 to 1997 and Beyond: Zuni Icosahedron’s Transnational Explorations 4. Dialectics as Creative Process and Decentring China: Zuni Icosahedron and Drama Box’s One Hundred Years of Solitude 10.0: Cultural Revolution 5. Thoughts on Cross-Cultural Collaboration by Mok Chiu-yu, a Hong Konger: What We Did and Why There Was Little Interaction with Singapore 6. Augustine Mok Chiu-yu’s Intercultural Asian People’s Theatre: Imagining 'The Third Way' for Hong Kong 7. Solitude to Solidarity: Imagined Transnational Alliance of Humanity against Bestial Hegemony 8. Crossing-Over as Strategy 9. The City and the Artist: Alice Theatre Laboratory’s Seven Boxes Possessed of Kafka in Shanghai 10. Unequal Cosmopolitanisms: Staging Singaporean Nanyin in and beyond Asia 11. Minor Translocalism: Messy and Marginal Networks in and beyond Singapore. An Interview with Tan Suet Lee 12. Facilitating Exchange 13. Postscript: Asian City Crossings as a Strategy for Freedom?

Rossella Ferrari is Professor of Chinese Studies at the University of Vienna, Austria.Ashley Thorpe is Senior Lecturer in Theatre and Director of the Centre for Asian Theatre & Dance at Royal Holloway, University of London, UK.

• 1. Introduction: Mapping the Terrain: Hong Kong, Singapore, and the City as Method 2. Culture of Exchange and Cultural Exchange 3. From 1989 to 1997 and Beyond: Zuni Icosahedron’s Transnational Explorations 4. Dialectics as Creative Process and Decentring China: Zuni Icosahedron and Drama Box’s One Hundred Years of Solitude 10.0: Cultural Revolution 5. Thoughts on Cross-Cultural Collaboration by Mok Chiu-yu, a Hong Konger: What We Did and Why There Was Little Interaction with Singapore 6. Augustine Mok Chiu-yu’s Intercultural Asian People’s Theatre: Imagining 'The Third Way' for Hong Kong 7. Solitude to Solidarity: Imagined Transnational Alliance of Humanity against Bestial Hegemony 8. Crossing-Over as Strategy 9. The City and the Artist: Alice Theatre Laboratory’s Seven Boxes Possessed of Kafka in Shanghai 10. Unequal Cosmopolitanisms: Staging Singaporean Nanyin in and beyond Asia 11. Minor Translocalism: Messy and Marginal Networks in and beyond Singapore. An Interview with Tan Suet Lee 12. Facilitating Exchange 13. Postscript: Asian City Crossings as a Strategy for Freedom?

Rossella Ferrari is Professor of Chinese Studies at the University of Vienna, Austria.Ashley Thorpe is Senior Lecturer in Theatre and Director of the Centre for Asian Theatre & Dance at Royal Holloway, University of London, UK.

• 1. Introduction: Mapping the Terrain: Hong Kong, Singapore, and the City as Method 2. Culture of Exchange and Cultural Exchange 3. From 1989 to 1997 and Beyond: Zuni Icosahedron’s Transnational Explorations 4. Dialectics as Creative Process and Decentring China: Zuni Icosahedron and Drama Box’s One Hundred Years of Solitude 10.0: Cultural Revolution 5. Thoughts on Cross-Cultural Collaboration by Mok Chiu-yu, a Hong Konger: What We Did and Why There Was Little Interaction with Singapore 6. Augustine Mok Chiu-yu’s Intercultural Asian People’s Theatre: Imagining 'The Third Way' for Hong Kong 7. Solitude to Solidarity: Imagined Transnational Alliance of Humanity against Bestial Hegemony 8. Crossing-Over as Strategy 9. The City and the Artist: Alice Theatre Laboratory’s Seven Boxes Possessed of Kafka in Shanghai 10. Unequal Cosmopolitanisms: Staging Singaporean Nanyin in and beyond Asia 11. Minor Translocalism: Messy and Marginal Networks in and beyond Singapore. An Interview with Tan Suet Lee 12. Facilitating Exchange 13. Postscript: Asian City Crossings as a Strategy for Freedom?