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Rebecca Brown, Deborah S. Hutton - Asian Art, Inbunden

Inbunden, Engelska, 2006

Del i serien Blackwell Anthologies in Art History

Asian Art

An Anthology

Av Rebecca Brown, Deborah S. Hutton

2389 kr

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Beskrivning
Asian Art is the first comprehensive anthology of important primary documents and key contemporary scholarship on Asian art history. Traces the rich artistic traditions in China, Japan, Korea, India, and Southeast Asia across time periods, media, cultural contexts, and geography - from the terracotta armies of the First Emperor of Qin to late 20th-century installation artCovers both imperially commissioned works and popular, vernacular artIncludes an accessible introduction which provides suggestions of thematic connections across the vast array of visual culture and historical time coveredCaptures the diversity and depth of Asian art through primary documents - from inscriptions and imperial decrees to writings by artists and travellers - and through examples of the very best scholarship in the fieldFeatures introductory material for each extract, an easy-to-navigate chronological structure, and has been extensively tested by the editors and their colleagues in classrooms.
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Rebecca M. Brown is an Independent Scholar of South Asian visual culture from the eighteenth century to the present. She is author of Art for a Modern India, 1947–80 (2007). Deborah S. Hutton is Assistant Professor of Art History at the College of New Jersey. She is the author of The Art of the Court of Bijapur (2006), winner of the College Art Association Millard Meiss Publishing Grant and the American Institute of Indian Studies Edward Cameron Dimock Jr. Prize in Indian Humanities.

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“Asian Art is a rich and very useful sourcebook that combines the voices of original authors and primary texts with some of the most interesting contemporary art historical studies.” Richard Vinograd, Stanford University “The choice of material in this anthology demonstrates why anyone interested in visual culture should carefully consider art produced in Asia. It wisely covers not just well-known traditions but also contemporary art practice.” Janice Leoshko, University of Texas at Austin

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