Sigurd Bergmann, PhD (Lund, 1995), is Professor in Religious Studies at the Norwegian University of Science and Technology in Trondheim. His publications include God in Context (Ashgate 2003), Creation Set Free (Eerdmans 2005), In the Beginning is the Icon (Equinox, 2009), and Religion, Space and the Environment (Transaction, 2014/2016). Forrest Clingerman, Ph.D. (Iowa, 2005) is Associate Professor at Ohio Northern University (USA). He researches environmental theology and philosophy, and is co-editor of Theological and Ethical Perspectives on Climate Engineering (Lexington, 2016) and Interpreting Nature: The Emerging Field of Environmental Hermeneutics (Fordham University Press, 2014).

• Notes on Contributors VII1 Introduction: Exploring Nature’s TextureSigurd Bergmann and Forrest ClingermanPart 1: Seeing2 With-In: Towards an Aesth/Ethics of PrepositionsSigurd Bergmann3 The Atmospheric TurnKarolina SobeckaPart 2: Wondering4 Wonder and Ernst Haeckel’s Aesthetics of NatureWhitney Bauman5 Art without an Object but with ImpactGeorge Steinmann6 Between Science and Art: An Anthropological OdysseyTim IngoldPart 3: Connecting7 The Black Wood: Relations, Empathy and a Feeling of Oneness in Caledonian Pine ForestsReiko Goto and Tim Collins8 Cultivated and Governed or Free and Wild? On Assessing Gardens and Parks AestheticallyArto Haapala9 Where Embodiment Meets Environment: A Meditation on the Work of Hans Breder and Ana Mendieta with an Accompanying Interview with Hans BrederJ. Sage Elwell10 Conclusion: The Aesthetic Roots of Environmental Amnesia: The Work of Art and the Imagination of PlaceForrest ClingermanIndex

Sigurd Bergmann, PhD (Lund, 1995), is Professor in Religious Studies at the Norwegian University of Science and Technology in Trondheim. His publications include God in Context (Ashgate 2003), Creation Set Free (Eerdmans 2005), In the Beginning is the Icon (Equinox, 2009), and Religion, Space and the Environment (Transaction, 2014/2016). Forrest Clingerman, Ph.D. (Iowa, 2005) is Associate Professor at Ohio Northern University (USA). He researches environmental theology and philosophy, and is co-editor of Theological and Ethical Perspectives on Climate Engineering (Lexington, 2016) and Interpreting Nature: The Emerging Field of Environmental Hermeneutics (Fordham University Press, 2014).

• Notes on Contributors VII1 Introduction: Exploring Nature’s TextureSigurd Bergmann and Forrest ClingermanPart 1: Seeing2 With-In: Towards an Aesth/Ethics of PrepositionsSigurd Bergmann3 The Atmospheric TurnKarolina SobeckaPart 2: Wondering4 Wonder and Ernst Haeckel’s Aesthetics of NatureWhitney Bauman5 Art without an Object but with ImpactGeorge Steinmann6 Between Science and Art: An Anthropological OdysseyTim IngoldPart 3: Connecting7 The Black Wood: Relations, Empathy and a Feeling of Oneness in Caledonian Pine ForestsReiko Goto and Tim Collins8 Cultivated and Governed or Free and Wild? On Assessing Gardens and Parks AestheticallyArto Haapala9 Where Embodiment Meets Environment: A Meditation on the Work of Hans Breder and Ana Mendieta with an Accompanying Interview with Hans BrederJ. Sage Elwell10 Conclusion: The Aesthetic Roots of Environmental Amnesia: The Work of Art and the Imagination of PlaceForrest ClingermanIndex

Sigurd Bergmann, PhD (Lund, 1995), is Professor in Religious Studies at the Norwegian University of Science and Technology in Trondheim. His publications include God in Context (Ashgate 2003), Creation Set Free (Eerdmans 2005), In the Beginning is the Icon (Equinox, 2009), and Religion, Space and the Environment (Transaction, 2014/2016). Forrest Clingerman, Ph.D. (Iowa, 2005) is Associate Professor at Ohio Northern University (USA). He researches environmental theology and philosophy, and is co-editor of Theological and Ethical Perspectives on Climate Engineering (Lexington, 2016) and Interpreting Nature: The Emerging Field of Environmental Hermeneutics (Fordham University Press, 2014).

• Notes on Contributors VII1 Introduction: Exploring Nature’s TextureSigurd Bergmann and Forrest ClingermanPart 1: Seeing2 With-In: Towards an Aesth/Ethics of PrepositionsSigurd Bergmann3 The Atmospheric TurnKarolina SobeckaPart 2: Wondering4 Wonder and Ernst Haeckel’s Aesthetics of NatureWhitney Bauman5 Art without an Object but with ImpactGeorge Steinmann6 Between Science and Art: An Anthropological OdysseyTim IngoldPart 3: Connecting7 The Black Wood: Relations, Empathy and a Feeling of Oneness in Caledonian Pine ForestsReiko Goto and Tim Collins8 Cultivated and Governed or Free and Wild? On Assessing Gardens and Parks AestheticallyArto Haapala9 Where Embodiment Meets Environment: A Meditation on the Work of Hans Breder and Ana Mendieta with an Accompanying Interview with Hans BrederJ. Sage Elwell10 Conclusion: The Aesthetic Roots of Environmental Amnesia: The Work of Art and the Imagination of PlaceForrest ClingermanIndex