Edited by Laima Nomeikaite, Associate Professor, Department of Global Development and Planning, University of Agder, Norway and Michael Haldrup, Professor, Department of Communication and Arts, Roskilde University, Denmark

• Contents1 Introduction: arts, heritage and performative politics 1Laima Nomeikaite and Michael HaldrupPART I ARCHIVES02 Post-war trauma, memory and the Healing Blanket 14Jad El Khoury3 Kalunga Unspoken: living archives in dialogue with a legacyin motion 22Luanda Carneiro Jacoel4 Rural graffiti, creativity and para-archiving 36Alex Hale5 Live archiving: processes of becoming a dragon 49Fernanda BrancoPART II PUBLICS6 Heritage unbound? Anticipation, queer politics andperformance of memory 68Denis Maksimov and Michael Haldrup7 The art liturgy: on the limits of art 81Liv Kristin Holmberg8 Heritage in the making: artful sustainability communicationand visitor engagements 95Tilde Strandbygaard Jessen9 Troubling performative heritage: Puy du Fou as ‘softcorehistoricity’ 108Pablo Santacana LópezPART III LANDSCAPES10 Performative writing of Hausmania’s subcultures andatmospheric surface 121Laima Nomeikaite and Kirstine Reffstrup11 From artwork to gimmick? Negotiating placemaking in anindustrial heritage context 136Karin Coenen12 From trash to art: Heritage performance and the heritagisationof neon signs in Hong Kong 149Veronica Sau-wa Mak and Kelly Ka-lam Lee13 Environmental agency and arts-based practice in more-thanhuman commons 162Kristine Samson14 Rust: a political aesthetic of industrial heritage 176Benjamin Richards15 Invitations: performative politics of art heritage 188Laima Nomeikaite and Michael Haldrup

‘Arts, Heritage and Performative Politics contributes significantly to the field by demonstrating that creative practices operate across diverse social, institutional, and political terrains. The volume is especially valuable for its attention to settings marked by conflict, marginality, and constrained cultural visibility.’

Edited by Laima Nomeikaite, Associate Professor, Department of Global Development and Planning, University of Agder, Norway and Michael Haldrup, Professor, Department of Communication and Arts, Roskilde University, Denmark

• Contents1 Introduction: arts, heritage and performative politics 1Laima Nomeikaite and Michael HaldrupPART I ARCHIVES02 Post-war trauma, memory and the Healing Blanket 14Jad El Khoury3 Kalunga Unspoken: living archives in dialogue with a legacyin motion 22Luanda Carneiro Jacoel4 Rural graffiti, creativity and para-archiving 36Alex Hale5 Live archiving: processes of becoming a dragon 49Fernanda BrancoPART II PUBLICS6 Heritage unbound? Anticipation, queer politics andperformance of memory 68Denis Maksimov and Michael Haldrup7 The art liturgy: on the limits of art 81Liv Kristin Holmberg8 Heritage in the making: artful sustainability communicationand visitor engagements 95Tilde Strandbygaard Jessen9 Troubling performative heritage: Puy du Fou as ‘softcorehistoricity’ 108Pablo Santacana LópezPART III LANDSCAPES10 Performative writing of Hausmania’s subcultures andatmospheric surface 121Laima Nomeikaite and Kirstine Reffstrup11 From artwork to gimmick? Negotiating placemaking in anindustrial heritage context 136Karin Coenen12 From trash to art: Heritage performance and the heritagisationof neon signs in Hong Kong 149Veronica Sau-wa Mak and Kelly Ka-lam Lee13 Environmental agency and arts-based practice in more-thanhuman commons 162Kristine Samson14 Rust: a political aesthetic of industrial heritage 176Benjamin Richards15 Invitations: performative politics of art heritage 188Laima Nomeikaite and Michael Haldrup

‘Arts, Heritage and Performative Politics contributes significantly to the field by demonstrating that creative practices operate across diverse social, institutional, and political terrains. The volume is especially valuable for its attention to settings marked by conflict, marginality, and constrained cultural visibility.’

Edited by Laima Nomeikaite, Associate Professor, Department of Global Development and Planning, University of Agder, Norway and Michael Haldrup, Professor, Department of Communication and Arts, Roskilde University, Denmark

• Contents1 Introduction: arts, heritage and performative politics 1Laima Nomeikaite and Michael HaldrupPART I ARCHIVES02 Post-war trauma, memory and the Healing Blanket 14Jad El Khoury3 Kalunga Unspoken: living archives in dialogue with a legacyin motion 22Luanda Carneiro Jacoel4 Rural graffiti, creativity and para-archiving 36Alex Hale5 Live archiving: processes of becoming a dragon 49Fernanda BrancoPART II PUBLICS6 Heritage unbound? Anticipation, queer politics andperformance of memory 68Denis Maksimov and Michael Haldrup7 The art liturgy: on the limits of art 81Liv Kristin Holmberg8 Heritage in the making: artful sustainability communicationand visitor engagements 95Tilde Strandbygaard Jessen9 Troubling performative heritage: Puy du Fou as ‘softcorehistoricity’ 108Pablo Santacana LópezPART III LANDSCAPES10 Performative writing of Hausmania’s subcultures andatmospheric surface 121Laima Nomeikaite and Kirstine Reffstrup11 From artwork to gimmick? Negotiating placemaking in anindustrial heritage context 136Karin Coenen12 From trash to art: Heritage performance and the heritagisationof neon signs in Hong Kong 149Veronica Sau-wa Mak and Kelly Ka-lam Lee13 Environmental agency and arts-based practice in more-thanhuman commons 162Kristine Samson14 Rust: a political aesthetic of industrial heritage 176Benjamin Richards15 Invitations: performative politics of art heritage 188Laima Nomeikaite and Michael Haldrup

‘Arts, Heritage and Performative Politics contributes significantly to the field by demonstrating that creative practices operate across diverse social, institutional, and political terrains. The volume is especially valuable for its attention to settings marked by conflict, marginality, and constrained cultural visibility.’