Artistic Research

Paulo de Assis is a Research Fellow at the Orpheus Institute in Belgium.Lucia D'Errico is a Research Fellow at the Orpheus Institute in Belgium.

• Introduction, Paulo de Assis and Lucia D’Errico1. Theses on the Concept of Research, Jae Emerling2. Expositionality, Michael Schwab3. The Research Catalogue Exposition as a Digital Object: Challenges and Future, Luc Döbereiner4. Transpositions [TP] Artistic Data Exploration: Feed-back and Amplification, Cecile Malaspina5. SymbioticA: Interruptions in the Brain, Darren Jorgensen and David Savat6. Artistic Research in an Expanding Field: The Case of BioArt, jan jagodzinski7. Artistic Research and Sound Art in Public Urban Spaces, Marcel Cobussen8. Artistic Research and Music Technology, Jonathan Impett and Juan Parra9. Design Research in Architecture, Revisited, Murray Fraser10. Artistic Research and Performance, Laura Cull Ó Maoilearca11. Artistic Research as “Participant Perception”: Reflecting on the Project “Computer Signals” from an Arts-Inspired STS-Perspective, Priska Gisler12. A Laboratory for Performance Practice: The Case of MusicExperiment21, Veerle Spronck13. Artistic Research and Musical Performance, Mieko Kanno14. Fantasies Finding Realities: The ConNext Network as a Case Study of the Evolution of an Artistic Research Dimension in Conservatories, Bernard Lanskey, Shu Chen Ong, and Abigail Sin15. Philosophy AS Artistic Research. Artists-Philosophers, Arno BöhlerNotes on ContributorsInde

Assis and D’Errico, in their first edited volume of a new series on artistic research, boldly announce the impossibility of defining the concept. Indeed, the book and its authors defy closure, and the essays present a stimulating, wide-ranging and insightful overview of the field, on themes spanning areas as diverse as music, bioart, art theory, and architecture.