Stephen Marino is Adjunct Professor of English at St Francis College, USA. He is the founding editor of The Arthur Miller Journal and chaired the Arthur Miller Centennial Conference in 2015.

• Introduction1. 1949-69: Reviews and Early Criticism2. 1949-79: Society and Tragedy3. The 1980s: Salesman: Salesmanship, Psychology, Ethnicity4. The 1980s: Crucible: History, Politics, Law5. The 1990s: New Readings6. The 1990s: Feminism and Gender7. Beyond 2000: Critical Trends8. 1950-2000: Film and TV versionsConclusionNotesBibliographyIndex.

'Plays change over time and with every production. That is why they live on the pulse. Criticism, too, is responsive to a changing world offering new perspectives as a light shone through a prism displays the full range of colours. Stephen Marino has done a remarkable job in guiding us through some 70 years of critical responses to two of Miller's major works, in doing so reminding us of the nature of the achievement of a writer who wanted to engage in a dialogue with America but who ended having a dialogue with the world.' - Christopher Bigsby, University of East Anglia, UK 'Marino has written a well-organized and invaluable guide to the ongoing debate regarding the significance of Miller's two best-known plays, that not only allows us to view the varied depths of these seminal works, but also the ways in which critical trends affect perceptions and insight. Maintaining a keen eye to the unique status of dramatic literature in regard to its performative aspect, Marino offers detailed description and trenchant analysis of the multiple strands of scholarly enquiry into Death of a Salesman and The Crucible as plays, films, and cultural icons.' - Susan C. W. Abbotson, Rhode Island College, USA