Artemis Archetype in Popular Culture

Susan Redington Bobby is an associate professor of English at Wesley College. She is the editor of Fairy Tales Reimagined: Essays on New Retellings (McFarland, 2009), the author of Beyond His Dark Materials: Innocence and Experience in the Fiction of Philip Pullman (McFarland 2012), and the author of a critical essay in the His Dark Materials Casebook (Palgrave 2014). Eileen M. Harney is an assistant professor in the English Department at the University of Alaska-Fairbanks. Her research interests include the treatment of gender in medieval traditions and texts, contemporary depictions of female bodies and the heroic female character, and gender constructs in comics, television series and films.

• Table of ContentsAcknowledgmentsIntroduction—Tracking the Elusive Goddess: Artemis’ PresencePop Culture (Eileen M. Harney)“Alone, I can’t be the Mockingjay”: Katniss Everdeen and the Artemis Archetype (Jessica Auz and Kaitlin Tonti)“Paradise exists in the shadow of the sword”: The Feminist Avenger in Cara Hoffman’s So Much Pretty (Sara Hosey)Huntress, Hacker, Heroine: Stieg Larsson’s Lisbeth Salander as a Modern Incarnation of Artemis (Kathleen Lynn Kress)The Artemis Archetype in the Films of Kathryn Bigelow (Randall Clark)Healing the Divided Self: Kara “Starbuck” Thrace and the Call to Artemis (Susan Redington Bobby)Race and Sexuality in the Artemis Female: Chimamanda Adichie’s Half of a Yellow Sun (Chinyelu Agwu)Sword, Stoicism, Salvation: Michonne’s ­Post-Apocalyptic Evocation of Artemis (Brittany Hirth)Struggling for Dominance: Artemis Confronts Other Olympian Goddesses in the Works of Joss Whedon (Eileen M. Harney)Afterword—“Staring at the same tree missing the forest”: Artemisian Heroines in Our Midst (Susan Redington Bobby)Comprehensive BibliographyAbout the ContributorsIndex