Art

Diarmuid Costello lectures in aesthetics and Jonathan Vickery lectures in contemporary culture, both at the University of Warwick. Both have published widely on aesthetics and contemporary art theory.

• SECTION 1: ART THEORY AND PRACTICE Editors Introduction 1. Daniel Buren Dr. Melanie Marino, Art History, University of Wisconsin, Milwaukee 2. Dan Graham: Dr. Eric de Bruyn, Art History, University of Groningen, NL 3. Mike Kelley: Prof. John Welchman, Art History, UC San Diego 4. Mary Kelly: Prof Margaret Iversen, Art History, University of Essex 5. Joseph Kosuth: Prof. Michael Corris, Art & Photography, University of Wales Newport 6. Barbara Kruger: Dr. Esther Leslie, English and Humanities, London Birkbeck 7. Robert Morris: Dr. Jonathan Vickery (editor), Cultural Policy, University of Warwick 8. Adrian Piper: Robert del Principe, ex-Director Adrian Piper Research Archive, NYC 9. Robert Smithson: Dr Dominic Rahtz, Fine Art, Oxford Brookes University 10. Jeff Wall: Dr Stewart Martin, Modern European Philosophy, Middlesex University SECTION 2: ART THEORY AND HISTORY Editors Introduction 11. Nicholas Bourriaud: Dr. Claire Bishop, Curating, Royal College of Art 12. Benjamin Buchloh: Dr. Christine Mehring, Art History, Yale 13. TJ Clark: Dr. Dominic Willsdon, Curator of Education/Public Programmes, San Francisco MOMA 14. Thierry de Duve: Prof. Gregg Horowitz, Philosophy, Vanderbilt University 15. James Elkins: Dr. Robert Williams, Art History, University of California, Santa Barbara 16. Hal Foster: Dr Gordon Hughes, History of Art, University of Maine, Bangor 17. Michael Fried: Prof. Stephen Melville, History of Art, Ohio State University 18. Clement Greenberg: Dr. Diarmuid Costello (editor) Arts & Humanities, Oxford Brookes University 19. Rosalind Krauss: Dr. Martha Buskirk, Art History, Montserrat College of Art 20. WTJ Mitchell: Dr. Riccardo Marchi, Art and Art History, University of South Florida 21. Linda Nochlin: Dr. Francesca Berry, Art History, University of Birmingham 22. Griselda Pollock: Dr. Kirstie Skinner Visual/Cultural Theory, Edinburgh College of Art SECTION 3: PHILOSOPHY OF ART AND AESTHETICS Editors Introduction 23. Theodor Adorno: Dr. Michael Kelly, Philosophy, University of N. Carolina, Charlotte 24. Jay Bernstein: Dr. Espen Hammer, Philosophy, University of Essex 25. Stanley Cavell: Dr. Stephen Mulhall, Philosophy, New College Oxford 26. Noel Carroll: Dr Katerina Reed-Tsocha, Art History, Trinity College Oxford 27. Arthur C. Danto: Prof. David Carrier, Art History, Case Western Reserve University 28. Gilles Deleuze: Dr. Darren Ambrose, Philosophy, University of Warwick 29. Jacques Derrida: Dr Jonathan Dronsfield, Fine Art, University of Reading 30. George Dickie: Dr. Cain Todd, Philosophy, University of Lancaster 31. Jean-Francois Lyotard: Dr. James Williams, Philosophy, University of Dundee 32. Maurice Merleau-Ponty: Prof. Alex Potts, Art History, University of Michigan 33. Albrecht Wellmer: Dr. Ruth Sonderegger , Philosophy, University of Amsterdam 34. Richard Wollheim: Dr. Derek Matravers, Philosophy, Open University SECTION 4: THEORY AND PHILOSOPHY OF CULTURE Editors Introduction 35. Roland Barthes: Dr. Nancy Shawcross, English, University of Pennsylvania 36. Georges Bataille: Professor Michael Richardson, Anthropology and Cultural Studies, Waeda University, Tokyo 37. Jean Baudrillard: Prof. Mike Gane, Sociology, Loughborough University 38. Walter Benjamin: Dr. Helmut Schmitz, German, University of Warwick 39. Pierre Bourdieu: Dr. Gordon Fyfe, Sociology, University of Keele 40. Judith Butler: Dr. Rebecca Zorack, Art History, University of Chicago 41. Michel Foucault: Dr. Scott Durham, French & Italian, Northwestern University 42. Fredric Jameson: Dr. David Ayers, English, University of Kent 43. Melanie Klein: Dr. Mignon Nixon, Art History, Courtauld Institute of Art, London 44. Julia Kristeva: Dr. Sara Beardsworth, Philosophy, Southern Illinois, Carbondale 45. Niklaus Luhmann: Dr. Francis Halsall, Art History, University College, Cork Glossary of Key Terms and Concepts

'The first time such a broad anthology of has been attempted. ..it will become an essential reference book in art education at tertiary level.' Leonardo