Hazel Gardiner is Editor for the Corpus of Romanesque Sculpture in Britain and Ireland and joint-editor of the CHArt (the Computers and the History of Art) Yearbook. She was Senior Project Officer for the AHRC ICT Methods Network, King's College London. Charlie Gere is Reader in New Media Research and Head of Department of Media, Film and Cultural Studies, Lancaster University.

• Chapter 1 Research as Art, Charlie Gere; Chapter 2 Triangulating Artworlds, StephenScrivener, WayneClements; Chapter 3 The Artist as Researcher in a Computer Mediated Culture, JanisJefferies; Chapter 4 A Conversation about Models and Prototypes, JaneProphet, NinaWakeford; Chapter 5 Not Intelligent by Design, PaulBrown, PhilHusbands; Chapter 6 Excess and Indifference, Stelarc; Chapter 7 The Garden of Hybrid Delights, GordanaNovakovic; Chapter 8 Limited Edition – Unlimited Image, ElaineShemilt; Chapter 9 Telematic Practice and Research Discourses, PaulSermon; Chapter 10 Tools, Methods, Practice, Process … and Curation, BerylGraham;

'Digital technologies are disruptive technologies; transforming everything in their wake. Art Practice in a Digital Culture both demonstrates and explains the impact of digital technologies on the art of our time. A stellar line up of artists, curators and historians explore the issues that dominate and define 21st century art creation. These include interdisciplinary, collaborative, research and process based practice. The book will inform and excite anyone interested in contemporary art. The chapters included within it will serve both to mark a point in time and propel the discussion about art forward'. Jemima Rellie, Director of Publishing and New Media at the Royal Collection

Hazel Gardiner is Editor for the Corpus of Romanesque Sculpture in Britain and Ireland and joint-editor of the CHArt (the Computers and the History of Art) Yearbook. She was Senior Project Officer for the AHRC ICT Methods Network, King's College London. Charlie Gere is Reader in New Media Research and Head of Department of Media, Film and Cultural Studies, Lancaster University.

• Chapter 1 Research as Art, Charlie Gere; Chapter 2 Triangulating Artworlds, StephenScrivener, WayneClements; Chapter 3 The Artist as Researcher in a Computer Mediated Culture, JanisJefferies; Chapter 4 A Conversation about Models and Prototypes, JaneProphet, NinaWakeford; Chapter 5 Not Intelligent by Design, PaulBrown, PhilHusbands; Chapter 6 Excess and Indifference, Stelarc; Chapter 7 The Garden of Hybrid Delights, GordanaNovakovic; Chapter 8 Limited Edition – Unlimited Image, ElaineShemilt; Chapter 9 Telematic Practice and Research Discourses, PaulSermon; Chapter 10 Tools, Methods, Practice, Process … and Curation, BerylGraham;

'Digital technologies are disruptive technologies; transforming everything in their wake. Art Practice in a Digital Culture both demonstrates and explains the impact of digital technologies on the art of our time. A stellar line up of artists, curators and historians explore the issues that dominate and define 21st century art creation. These include interdisciplinary, collaborative, research and process based practice. The book will inform and excite anyone interested in contemporary art. The chapters included within it will serve both to mark a point in time and propel the discussion about art forward'. Jemima Rellie, Director of Publishing and New Media at the Royal Collection

Hazel Gardiner is Editor for the Corpus of Romanesque Sculpture in Britain and Ireland and joint-editor of the CHArt (the Computers and the History of Art) Yearbook. She was Senior Project Officer for the AHRC ICT Methods Network, King's College London. Charlie Gere is Reader in New Media Research and Head of Department of Media, Film and Cultural Studies, Lancaster University.

• Chapter 1 Research as Art, Charlie Gere; Chapter 2 Triangulating Artworlds, StephenScrivener, WayneClements; Chapter 3 The Artist as Researcher in a Computer Mediated Culture, JanisJefferies; Chapter 4 A Conversation about Models and Prototypes, JaneProphet, NinaWakeford; Chapter 5 Not Intelligent by Design, PaulBrown, PhilHusbands; Chapter 6 Excess and Indifference, Stelarc; Chapter 7 The Garden of Hybrid Delights, GordanaNovakovic; Chapter 8 Limited Edition – Unlimited Image, ElaineShemilt; Chapter 9 Telematic Practice and Research Discourses, PaulSermon; Chapter 10 Tools, Methods, Practice, Process … and Curation, BerylGraham;

'Digital technologies are disruptive technologies; transforming everything in their wake. Art Practice in a Digital Culture both demonstrates and explains the impact of digital technologies on the art of our time. A stellar line up of artists, curators and historians explore the issues that dominate and define 21st century art creation. These include interdisciplinary, collaborative, research and process based practice. The book will inform and excite anyone interested in contemporary art. The chapters included within it will serve both to mark a point in time and propel the discussion about art forward'. Jemima Rellie, Director of Publishing and New Media at the Royal Collection