Michelle H. Wang is associate professor of art and humanities at Reed College. Her scholarship has been published in Art History and Artibus Asiae.

• Introduction: The Work of Diagrams1                      Zhongshan and Plans for Life after Death2                      Fangmatan and the Bureaucratization of Space3                      Mawangdui and Earthly Topologies of Design4                      Mawangdui and the Art of StrategyCoda: Tunnel VisionAcknowledgmentsNotesBibliographyIndex

"This book is highly illuminating, well-researched, and beautifully produced. At the intersection of Sinology, history of cartography, and art history, scholars from any of these fields would find enough familiar and new to make the book both accessible and enlightening."

Michelle H. Wang is associate professor of art and humanities at Reed College. Her scholarship has been published in Art History and Artibus Asiae.

• Introduction: The Work of Diagrams1                      Zhongshan and Plans for Life after Death2                      Fangmatan and the Bureaucratization of Space3                      Mawangdui and Earthly Topologies of Design4                      Mawangdui and the Art of StrategyCoda: Tunnel VisionAcknowledgmentsNotesBibliographyIndex

"This book is highly illuminating, well-researched, and beautifully produced. At the intersection of Sinology, history of cartography, and art history, scholars from any of these fields would find enough familiar and new to make the book both accessible and enlightening."

Michelle H. Wang is associate professor of art and humanities at Reed College. Her scholarship has been published in Art History and Artibus Asiae.

• Introduction: The Work of Diagrams1                      Zhongshan and Plans for Life after Death2                      Fangmatan and the Bureaucratization of Space3                      Mawangdui and Earthly Topologies of Design4                      Mawangdui and the Art of StrategyCoda: Tunnel VisionAcknowledgmentsNotesBibliographyIndex

"This book is highly illuminating, well-researched, and beautifully produced. At the intersection of Sinology, history of cartography, and art history, scholars from any of these fields would find enough familiar and new to make the book both accessible and enlightening."