ELIZABETH CSICSERY-RÓNAY, based in Brussels, is a translator of both French and Hungarian. Her articles and music reviews have been published in Berlioz Society Bulletin, Opera News, and Musical America.

• FORWARD BY Jacques BarzunTranslator's NoteAcknowledgmentsThe Art of MusicA Critical Study of Beethoven's Nine SymphoniesA Few Words about the Trios and Sonatas of BeethovenFidelioBeethoven in the Rings of SaturnThe Emoluments of SingersThe Current State of the Art of SingingGood Singers and BadGluck's OrpheeLines Written Soon After the First Performance of Orphee at the Theatre-LyriqueThe Alceste of Euripides and Those of Quinault and CalzabigiThe Revival of Gluck's Alceste at the OperaInstruments Added by Modern Composers to the Scores of Old MastersHigh and Low SoundsDer FreischutzOberon Abu-Hassan; The Abduction from the SeraglioThe Method Discovered by M. Delsarte for Tuning InstrumentsOn Church MusicMusical Customs of ChinaLetter to the Academy of Fine Arts of the InstitueThe Rise in Concert PitchThe End Is NearThe Richard Wagner ConcertsSunt Lacrymae RerumThe Symphonies of H. Reber; Stephen HellerRomeo and JulietConcerning a Ballet Based on FaustTo Be or Not to BeAppendix: The Lapdog SchoolNotesIndex

ELIZABETH CSICSERY-RÓNAY, based in Brussels, is a translator of both French and Hungarian. Her articles and music reviews have been published in Berlioz Society Bulletin, Opera News, and Musical America.

• FORWARD BY Jacques BarzunTranslator's NoteAcknowledgmentsThe Art of MusicA Critical Study of Beethoven's Nine SymphoniesA Few Words about the Trios and Sonatas of BeethovenFidelioBeethoven in the Rings of SaturnThe Emoluments of SingersThe Current State of the Art of SingingGood Singers and BadGluck's OrpheeLines Written Soon After the First Performance of Orphee at the Theatre-LyriqueThe Alceste of Euripides and Those of Quinault and CalzabigiThe Revival of Gluck's Alceste at the OperaInstruments Added by Modern Composers to the Scores of Old MastersHigh and Low SoundsDer FreischutzOberon Abu-Hassan; The Abduction from the SeraglioThe Method Discovered by M. Delsarte for Tuning InstrumentsOn Church MusicMusical Customs of ChinaLetter to the Academy of Fine Arts of the InstitueThe Rise in Concert PitchThe End Is NearThe Richard Wagner ConcertsSunt Lacrymae RerumThe Symphonies of H. Reber; Stephen HellerRomeo and JulietConcerning a Ballet Based on FaustTo Be or Not to BeAppendix: The Lapdog SchoolNotesIndex

ELIZABETH CSICSERY-RÓNAY, based in Brussels, is a translator of both French and Hungarian. Her articles and music reviews have been published in Berlioz Society Bulletin, Opera News, and Musical America.

• FORWARD BY Jacques BarzunTranslator's NoteAcknowledgmentsThe Art of MusicA Critical Study of Beethoven's Nine SymphoniesA Few Words about the Trios and Sonatas of BeethovenFidelioBeethoven in the Rings of SaturnThe Emoluments of SingersThe Current State of the Art of SingingGood Singers and BadGluck's OrpheeLines Written Soon After the First Performance of Orphee at the Theatre-LyriqueThe Alceste of Euripides and Those of Quinault and CalzabigiThe Revival of Gluck's Alceste at the OperaInstruments Added by Modern Composers to the Scores of Old MastersHigh and Low SoundsDer FreischutzOberon Abu-Hassan; The Abduction from the SeraglioThe Method Discovered by M. Delsarte for Tuning InstrumentsOn Church MusicMusical Customs of ChinaLetter to the Academy of Fine Arts of the InstitueThe Rise in Concert PitchThe End Is NearThe Richard Wagner ConcertsSunt Lacrymae RerumThe Symphonies of H. Reber; Stephen HellerRomeo and JulietConcerning a Ballet Based on FaustTo Be or Not to BeAppendix: The Lapdog SchoolNotesIndex