Dan Callahan has written about film for Sight & Sound, Film Comment, Nylon, and many other publications. He lives in Brooklyn, New York.

• Table of ContentsIntroduction: “Pre-Brando” and Bernhardt and DuseLillian Gish: Blossom in the WindGloria Swanson: Still BigJohn Barrymore: Sweet Prince of IronyLouise Brooks: Naked on Her GoatGreta Garbo: Mademoiselle HamletMarlene Dietrich: IllusionsBette Davis: The Hard WayKatharine Hepburn: Sadly HappyJoan Crawford: A Woman’s FaceIngrid Bergman: You Must Change Your LifeJames Cagney: Hard to HandleCary Grant: Just a ButterflyCharles Laughton: Leaning and BirthingClark Gable: The KingSpencer Tracy: Still WatersHumphrey Bogart: The Stuff That Dreams Are Made OfMarlon Brando: Before and AfterMontgomery Clift: Fallen AristocratKim Stanley: Private MomentsJames Dean: Cause and EffectBibliographyIndex

"The rare writer who writes about acting really well, longtime theater and film critic Dan Callahan can home in on why and how a performance lands, or doesn't. He pays attention to the actor's technique, the actor's tension, the prosody of the actor's voice, all of these being “tells” as to whether or not the actor is truly engaged, or pumping up something artificial to fill in the blanks. This is tough stuff, but reading Callahan is an object lesson on how to do it.[...] Callahan's latest book, The Art of American Screen Acting: 1912-1960, is made up of profile pieces and artistic analysis of the major figures from the silent era up until the moment before the collapse of the studio system. [...] it's a lush and complex look at the art of acting, and how it developed alongside the development of cinema itself. Callahan looks at the rupture represented by Marlon Brando, adding some necessary shadings to the almost universally accepted simplistic reading of Brando as an “improvement.”" - Slant Magazine

Dan Callahan has written about film for Sight & Sound, Film Comment, Nylon, and many other publications. He lives in Brooklyn, New York.

• Table of ContentsIntroduction: “Pre-Brando” and Bernhardt and DuseLillian Gish: Blossom in the WindGloria Swanson: Still BigJohn Barrymore: Sweet Prince of IronyLouise Brooks: Naked on Her GoatGreta Garbo: Mademoiselle HamletMarlene Dietrich: IllusionsBette Davis: The Hard WayKatharine Hepburn: Sadly HappyJoan Crawford: A Woman’s FaceIngrid Bergman: You Must Change Your LifeJames Cagney: Hard to HandleCary Grant: Just a ButterflyCharles Laughton: Leaning and BirthingClark Gable: The KingSpencer Tracy: Still WatersHumphrey Bogart: The Stuff That Dreams Are Made OfMarlon Brando: Before and AfterMontgomery Clift: Fallen AristocratKim Stanley: Private MomentsJames Dean: Cause and EffectBibliographyIndex

"The rare writer who writes about acting really well, longtime theater and film critic Dan Callahan can home in on why and how a performance lands, or doesn't. He pays attention to the actor's technique, the actor's tension, the prosody of the actor's voice, all of these being “tells” as to whether or not the actor is truly engaged, or pumping up something artificial to fill in the blanks. This is tough stuff, but reading Callahan is an object lesson on how to do it.[...] Callahan's latest book, The Art of American Screen Acting: 1912-1960, is made up of profile pieces and artistic analysis of the major figures from the silent era up until the moment before the collapse of the studio system. [...] it's a lush and complex look at the art of acting, and how it developed alongside the development of cinema itself. Callahan looks at the rupture represented by Marlon Brando, adding some necessary shadings to the almost universally accepted simplistic reading of Brando as an “improvement.”" - Slant Magazine

Dan Callahan has written about film for Sight & Sound, Film Comment, Nylon, and many other publications. He lives in Brooklyn, New York.

• Table of ContentsIntroduction: “Pre-Brando” and Bernhardt and DuseLillian Gish: Blossom in the WindGloria Swanson: Still BigJohn Barrymore: Sweet Prince of IronyLouise Brooks: Naked on Her GoatGreta Garbo: Mademoiselle HamletMarlene Dietrich: IllusionsBette Davis: The Hard WayKatharine Hepburn: Sadly HappyJoan Crawford: A Woman’s FaceIngrid Bergman: You Must Change Your LifeJames Cagney: Hard to HandleCary Grant: Just a ButterflyCharles Laughton: Leaning and BirthingClark Gable: The KingSpencer Tracy: Still WatersHumphrey Bogart: The Stuff That Dreams Are Made OfMarlon Brando: Before and AfterMontgomery Clift: Fallen AristocratKim Stanley: Private MomentsJames Dean: Cause and EffectBibliographyIndex

"The rare writer who writes about acting really well, longtime theater and film critic Dan Callahan can home in on why and how a performance lands, or doesn't. He pays attention to the actor's technique, the actor's tension, the prosody of the actor's voice, all of these being “tells” as to whether or not the actor is truly engaged, or pumping up something artificial to fill in the blanks. This is tough stuff, but reading Callahan is an object lesson on how to do it.[...] Callahan's latest book, The Art of American Screen Acting: 1912-1960, is made up of profile pieces and artistic analysis of the major figures from the silent era up until the moment before the collapse of the studio system. [...] it's a lush and complex look at the art of acting, and how it developed alongside the development of cinema itself. Callahan looks at the rupture represented by Marlon Brando, adding some necessary shadings to the almost universally accepted simplistic reading of Brando as an “improvement.”" - Slant Magazine