Art History after Deleuze and Guattari

Sjoerd van Tuinen is assistant professor of philosophy at Erasmus University Rotterdam, where he is also Director of the Centre for Art and Philosophy and Co-Founder of the Erasmus Institute for Public Knowledge. Stephen Zepke is an independent researcher living in Vienna. He is the author of Sublime Art: Towards an Aesthetics of the Future (2017) and Art as Abstract Machine: Ontology and Aesthetics in Deleuze and Guattari (2005). He is the co-editor (with Simon O'Sullivan) of Deleuze, Guattari and the Production of the New (2008) and Deleuze and Contemporary Art (2010).

• Introduction: Art History After Deleuze and Guattari Sjoerd van Tuinen and Stephen Zepke Remake/Remodel: Strategies of Reading Art Historians Vlad Ionescu Egon Schiele: Vitalist Deleuzian Elisabeth von Samsonow The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images James Elkins Rhythm and Chaos in Painting: Deleuze’s Formal Analysis, Art History, and Aesthetics after Henri Maldiney Claudia Blümle Deleuze and Didi-Huberman on Art History Gustavo Chirolla and Juan Fernando Mejía Mosquera Colliding Chaoïds in Iconology Sascha Freyberg The Image and the Problem of Expression: Towards an Aesthetic Cosmology Bertrand Prévost The Late and the New: Mannerism and Style in Art History and Philosophy Sjoerd van Tuinen Tintoretto’s Michelangelo: An Artistic Diagram as the a priori of Art History Kamini Vellodi Painting Machines, “Metallic Suicide” and Raw Objects: Deleuze and Guattari’s Anti-Oedipus in the context of French Post-War Art Ann-Cathrin Drews The Buren Times Éric Alliez with the collaboration of Jean-Claude Bonne ‘A work of art does not contain the least bit of information’: Deleuze and Guattari and Contemporary Art Stephen Zepke Art’s Utopia: The Geography of Art against (its) History Antoine L’Heureux About the authors

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