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This volume in the Winnicott Studies series is dedicated to the life and work of Marion Milner and reflects, in varying ways, her unique use of Winnicott's work to shape her own thinking about art and creativity. Among the papers here are contemporary reviews of Milner's books by both Winnicott and the poet W.H. Auden - the latter providing fascina
Introduction -- Psychoanalysis and art: the Winnicott legacy -- Winnicott's Hamlet -- "I thought so then": Othello and the unthought known -- On imaginary presence -- To make experience sing -- Creativity, playing, dreaming: overlapping circles in the work of Marion Milner and D. W. Winnicott -- To unravel unhappiness -- Critical notice of On Not Being Able to Paint -- On Robinson Crusoe's island -- Appreciations of Marion Milner