Art, Alienation, and the Humanities

Charles Reitz is Professor of Philosophy and Coordinator of Service Learning at Kansas City Kansas Community College.

• Acknowledgments Author's Note 1. Recalling Marcuse: Art, Alienation, and the Humanities 2. Literary Art and Bildung: Marcuse's Early Works Der deutsche Kunstlerroman: The German Artist NovelThe Artist's Education from Alienation to MaturityMarcuse and Dilthey 3. The Emergent Critical Theory of Alienation: The Laws of Beauty versus the Law of the Thing Alienation as Verdinglichung: Cornerstone of Critical Theory 4. The Emergent Critical Theory of Art: Marcuse's Middle Period Art and The Actualization of Utopia 5. Marcuse's Aesthetic Ontology The "Aesthetic Dimension" in Eros and CivilizationThe Rationality of Art and the Denial of Things 6. Imagination, Death, and Educational Reminiscence 7. Alienation and Art in the One-Dimensional Society Art and the Potential for Protest 8. Art Against Alienation: Aesthetic Education and Political Praxis The Great Refusal and LebensphilosophieEducation and Social Change 9. Art as Alienation: Marcuse's "Turn" and Return 10. The Future—Liberating the Critical in Critical Theory The Irony of the Beautiful Soul of Herbert MarcuseThe Dialectics of Liberation and LearningA Concluding Backward Glance Appendix: Charter 2000: A Comprehensive Political Platform Notes Glossary Bibliography Name Index Subject Index

"Charles Reitz's study of Marcuse is one of the more important works on Marcuse of the last decade. Reitz is the first to connect studies of Marcuse's concept of art with conceptions of aesthetic education and the only one who connects Marcuse's thought more broadly with the problematics of education. The result is an original and engaging study of Marcuse's work that provides fresh insight into one of the most important thinkers of our century." — Douglas Kellner, author of Herbert Marcuse and the Crisis of Marxism"Reitz's interpretation of Marcuse's work within the context of the modernist and postmodernist struggle to find solid ground and/or signposts within the debris of various putative certainties, and quests for certainty, give his subject's work fresh meaning. The perilous flight: from the dangers of reductionism, iron-clad causalities, and bogus scientism in what some consider inherent in orthodox Marxism, to a retreat to idealistic forms/universals and quasi-pure aesthetics, is laid bare in Reitz's Marcuse." — Richard Brosio, author of A Radical Democratic Critique of Capitalist Education"The emphasis on Nietzsche, Dilthey, Heidegger, and early Lukacs, the discussion of the history of educational theory from Plato to Kant, the firm grasp of the difference between the dialectical approaches of Hegel and Marx by contrast with the later trend of social-historical analysis stemming mainly from Nietzsche and Dilthey—all of this written with utmost clarity and lack of jargon—makes this an outstanding work of philosophical scholarship." — James Lawler, State University of New York at Buffalo