Looking at the complex interaction of aesthetics and politics, this volume investigates the emancipatory power of radical art. With a focus on the two waves of uprisings in the Swana region in the years 2010s, the authors show how artistic performances of different types and following genres are developed and spread in the streets, on the walls or in the internet, catalyzing resistance to authoritarianism, but also to neoliberal capitalism, militarism and colonialism. An important book to read for social movement scholars.