Army of Lovers Cannot Fail

Häftad, Engelska, 2026

289 kr

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A friendship is a filiation we choose. It holds love and laughter; it can extend our sense of the possible. Moved to honour a form of relation often subordinated to romantic and familial ties, and to explore a part of her own history, Hélène Giannecchini pieces together an alternative genealogy of queer ancestors. In searching and sensitive prose, she sifts the past to bring existences deemed ‘marginal’ into communion with each other, traces of which may remain only in memory and archival fragments. Roving from Casa Susanna, a space of freedom from persecution in McCarthyite North America, to the diary of a man living with HIV in France, and to the life and work of pioneering lesbian photographer Donna Gottschalk, each narrative counters oblivion through loving acts of witness. A slantwise gathering of queer life and activism in the twentieth century, interspersed with images encountered by chance, An Army of Lovers Cannot Fail establishes friendship as a vital political force and offers a moving testament to its liberatory power.

Produktinformation

Utgivningsdatum2026-03-26
Mått125 x 197 x 20 mm
Vikt266 g
FormatHäftad
SpråkEngelska
Antal sidor204
FörlagFitzcarraldo Editions
ISBN9781804272220
ÖversättareAnna Moschovakis

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Hélène Giannecchini is a writer, curator and lecturer on history and contemporary art theory at the University of Lille. She is the author of Une image peut-être vraie (2014, published in English as Alix Cléo Roubaud: A Portrait In Fragments, tr. Thea Petrou), Voir de ses propres yeux (2020) and An Army of Lovers Cannot Fail (2024), all published in France by Éditions du Seuil. Her current research focusses on the visual history of gender minority groups in the latter half of the twentieth century.

‘An Army of Lovers Cannot Fail is a florilegium of countersexual kinmaking, survival strategy, lesbian comradeship, dinner parties full of queer ancestors, fugitive photography, transfeminist acting-up, insurrectionary eroticism and pieces of anonymous queer archival ephemera from many lands, brought alive with the help of critical fabulation. The domination of the couple-form over human life can and must be brought to an end, and Giannecchini deftly points to all the places where it is already dead (or perhaps always was). At the heart of this beautiful book lies a deceptively incendiary critique of capitalist society. It asks a direly urgent question: can humanity rise to the challenge of the term “friend”? If not, how do we propose to live together?’— Sophie Lewis, author of Abolish the Family