Arctic Cinemas

Kylo-Patrick R. Hart is chair of the Department of Film, Television and Digital Media at Texas Christian University, where he teaches courses in film and television history, theory, and criticism and queer media studies. He is the founding co-editor of the academic journal Queer Studies in Media & Popular Culture and the author of several books about media.

• Table of ContentsIntroduction: Conceptualizing and Analyzing Arctic Cinemas­Kylo-Patrick R. HartOpening Insights: Presenting, Producing and Living Arctic CinemasEva la CourArctic Cinemas and the Documentary TraditionA Gramophone’s Adventures in the Soviet Far North: Northern Indigenous Peoples’ Modernization, Foreign Models and the Soviet Civilizing MissionCaroline Damiens“Katerina of the North”: The Representation of Childhood in Ethnographic FilmIvan Golovnev and Elena GolovnevaWhere Life Begins: Documenting the Arctic as HomeRobin L. Murray and Joseph K. HeumannLiselotte Wajstedt’s Kiruna: Space Road: Experimental Ecocinema as Materialist Feminist Elegy in “Extractivist” SápmiCheryl J. FishArctic Representations in Other Cinematic GenresFrom Palo to Sumé: The Development of the Modern Greenlandic Film Industry and ­Nation-BuildingRuth ­Montgomery-AndersenArctic Gothic: Changing Times, Female Entrapment and Finnish Horror in Noidan Kirot and The White ReindeerFernando Gabriel Pagnoni Berns, Canela Ailen Rodriguez Fontao and Emiliano AguilarMultilingual Speech Representation, Translation and Hybridity in the Sámi ­Feature-Film Comedy Minister of StateMonica MecseiCinema in Arctic Canada: From Igloolik to the Côte d’AzurDoris BaltruschatLapland Odyssey from the Local to the Global: “Perkele,” Contemporary Northern Masculinity and the Arctic Cultural Imaginary­Kylo-Patrick R. HartAlienation, Freedom/Belonging and the Representation of (Queer) Icelandic Spaces and Places in Heartstone­Kylo-Patrick R. HartClosing Considerations: Some Notes on permafrost (barentsburg), an Artist’s VideoFernando José PereiraAbout the ContributorsIndex