Dr. Andy Henry is a lecturer in Drama and Applied Arts at Queen Margaret University, Edinburgh, UK. His research investigates performance archives and the challenges of documenting live theatrical events. Andy has collaborated with Festival Theatre, Traverse Theatre, Dundee Rep, and Scottish Dance Theatre on various archive centred research projects.Dr. Victoria Bianchi is a lecturer in Drama and Applied Arts at Queen Margaret University, Edinburgh, UK. A theatre maker and academic, she explores the relationship between space, feminism, and identity. She holds a BA in Performance from the University of the West of Scotland and an MA in Contemporary Performance Practice from the Central School of Speech and Drama.Dr. Vlad Butucea is a playwright, researcher, and lecturer in Drama and Performance. He completed an AHRC-funded PhD in Digital Theatre and Performance at the University of Glasgow, UK. Vlad's notable works include "Interference" (2019), "The Strange Case of Dr. Jekyll and Mr. Hyde" (2023), and the award-winning play "Silkworm" (2022).

• CHAPTER 1: INTRODUCTION.- CHAPTER 2: MAKING UNKNOWN HISTORIES KNOWN THROUGH A TOOLKIT FOR ARCHIVING WOMEN FILMMAKERS: REFLECTIONS ON  ARCHIVE RESEARCH AND PRACTICE.- CHAPTER 3: DECOLONIZING THE ARCHIVE: REINSCRIBING TREMÉ IN THE PUBLIC IMAGINATION.- CHAPTER 4: ARCHIVING PRACTICES AND VISUAL ACTIVISM IN THE CONTEXT OF THE ARAB UPRISINGS.- CHAPTER 5: EXPLORING FURTHER CHALLENGES AND OPPORTUNITIES OF HERITAGE DIGITIZATION: CULTURAL DATA IN INDONESIA.- CHAPTER 6:‘FUCK AROUND AND FIND OUT’: LIVELY ENCOUNTERS WITH/IN LONDON’S ‘RADICAL’ ARCHIVES.- CHAPTER 7: CAST IN STONE: GAZE-AVOIDING MEMORIALIZATION AND COUNTERARCHIVING IN KASHMIR.- CHAPTER 8: DECOLONISATION AND THE LIVING ARCHIVE IN THE MUSEUM SPACE: VICTORIA-IDONGESIT UDONDIAN’S ARTIVIST-CRAFTED ARCHIVE.- CHAPTER 9: MY GRANDFATHER WAS BORN UNDERWATER: PRACTICE-BASED APPROACHES TO PERSONAL ARCHIVES IN THE CONTEXT OF THE POLITICS OF MEMORY IN POST-FRANCO SPAIN.- CHAPTER 10: DIGITAL VISUAL CULTURE AND MEMORY PRACTICES: MODERN USES OF DAMNATIO MEMORIAE.- CHAPTER 11: INTERCULTURAL ARCHIVING: COMPARING THREE DIGITAL ARCHIVES OF SHAKESPEARE PERFORMANCES.-CHAPTER 12: CONSCIOUS CREATIVE COLLABORATION: DE-COLONISING THE ARCHIVE AND STAGING UNDER-REPRESENTED AND SENSITIVE HISTORIES.- CHAPTER 13: “THIS PLACE IS ACTUALLY FUN”: USING FILMMAKING TO ENGAGE YOUNG PEOPLE WITH ARCHIVES IN THE NORTH OF IRELAND.- CHAPTER 14: POLITICS, POETRY AND PROCESS: PHOTOCHEMICAL FILMMAKING AS A RADICAL ARCHIVAL PRACTICE.- CHAPTER 15: OUT OF THE SHADOWS: DECONSTRUCTING THE BLUECOAT’S HIDDEN COLONIAL LEGACIES THROUGH COMMUNITY PARTICIPATION.- CHAPTER 16: AND WE SHALL REMEMBER WHOM? USING MUSEUM-HOSTED WIKIPEDIA EDIT-A-THONS TO DISSEMINATE ARCHIVAL RESEARCH.