Azra Aksamija is an artist and architectural historian. She is the founding Director of the MIT Future Heritage Lab (FHL) and an Associate Professor in the MIT Program in Art, Culture and Technology (ACT). Her work explores how social life is affected by cultural bias and by the deterioration and destruction of cultural infrastructures within the context of conflict, migration, and forced displacement. Aksamija is the author of Mosque Manifesto: Propositions for Spaces of Coexistence (2015) and Museum Solidarity Lobby (2019). Her artistic work has been exhibited in leading international venues, including the Generali Foundation Vienna, Liverpool Biennial, Secession Vienna, the Royal Academy of Arts London, Queens Museum of Art in New York, Design Week Festivals in Milan, Istanbul, and Amman, and the Fondazione Giorgio Cini as a part of the 54th Art Biennale in Venice. Her most recent work was shown at the Sharjah Museum of Islamic Civilization (2019), the Aga Khan Museum in Toronto (2020), and Venice Architecture Biennale (2020). She received the Aga Khan Award for Architecture 2013 for her design of the prayer space in the Islamic Cemetery Altach, the 2019 Art Prize of the City of Graz, and an honorary doctorate from the Monserrat College of Art, 2020.

The approach to this volume has turned out an ambitious, grandiose, polyphonic, clever, and entertaining book." -Florian Heilmeyer, Baunetzmedia

Azra Aksamija is an artist and architectural historian. She is the founding Director of the MIT Future Heritage Lab (FHL) and an Associate Professor in the MIT Program in Art, Culture and Technology (ACT). Her work explores how social life is affected by cultural bias and by the deterioration and destruction of cultural infrastructures within the context of conflict, migration, and forced displacement. Aksamija is the author of Mosque Manifesto: Propositions for Spaces of Coexistence (2015) and Museum Solidarity Lobby (2019). Her artistic work has been exhibited in leading international venues, including the Generali Foundation Vienna, Liverpool Biennial, Secession Vienna, the Royal Academy of Arts London, Queens Museum of Art in New York, Design Week Festivals in Milan, Istanbul, and Amman, and the Fondazione Giorgio Cini as a part of the 54th Art Biennale in Venice. Her most recent work was shown at the Sharjah Museum of Islamic Civilization (2019), the Aga Khan Museum in Toronto (2020), and Venice Architecture Biennale (2020). She received the Aga Khan Award for Architecture 2013 for her design of the prayer space in the Islamic Cemetery Altach, the 2019 Art Prize of the City of Graz, and an honorary doctorate from the Monserrat College of Art, 2020.

The approach to this volume has turned out an ambitious, grandiose, polyphonic, clever, and entertaining book." -Florian Heilmeyer, Baunetzmedia

Azra Aksamija is an artist and architectural historian. She is the founding Director of the MIT Future Heritage Lab (FHL) and an Associate Professor in the MIT Program in Art, Culture and Technology (ACT). Her work explores how social life is affected by cultural bias and by the deterioration and destruction of cultural infrastructures within the context of conflict, migration, and forced displacement. Aksamija is the author of Mosque Manifesto: Propositions for Spaces of Coexistence (2015) and Museum Solidarity Lobby (2019). Her artistic work has been exhibited in leading international venues, including the Generali Foundation Vienna, Liverpool Biennial, Secession Vienna, the Royal Academy of Arts London, Queens Museum of Art in New York, Design Week Festivals in Milan, Istanbul, and Amman, and the Fondazione Giorgio Cini as a part of the 54th Art Biennale in Venice. Her most recent work was shown at the Sharjah Museum of Islamic Civilization (2019), the Aga Khan Museum in Toronto (2020), and Venice Architecture Biennale (2020). She received the Aga Khan Award for Architecture 2013 for her design of the prayer space in the Islamic Cemetery Altach, the 2019 Art Prize of the City of Graz, and an honorary doctorate from the Monserrat College of Art, 2020.

The approach to this volume has turned out an ambitious, grandiose, polyphonic, clever, and entertaining book." -Florian Heilmeyer, Baunetzmedia